Audiences And Intentions

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Intentions

The relationship between an author's and an audience's intentions is complex but need not preclude mutual engagement. This philosophical investigation challenges existing literary and rhetorical perspectives on intention and offers a new framework for understanding the negotiation of meaning. It describes how an audience's intentions affect their interpretations, shows how audiences negotiate meaning when faced with a writer's undecipherable intentions, and defines the scope of understanding within rhetorical situations. Introducing a concept of intention into literary analysis that supersedes existing rhetorical theory, Arabella Lyon shows how the rhetorics of I. A. Richards, Wayne Booth, and Stanley Fish, as well as the hermeneutics of Hans-Georg Gadamer, fail to account for the complex interactions of author and audience. Using Kenneth Burke's concepts of form, motive, and purpose, she builds a more complex notion of intention than those usually found in literary studies, then employs her theory to describe how philosophers read Wittgenstein's narratives, metaphors, and reversals in argument. Lyon argues that our differences in intention prevent consistency in interpretations but do not stop our discussions, deliberations, and actions. She seeks to acknowledge difference and the communicative problems it creates while demonstrating that difference is normal and does not end our engagement with each other. Intentions combines recent work in philosophy, literary criticism, hermeneutics, and rhetoric in a highly imaginative way to construct a theory of intention for a postmodern rhetoric. It recovers and renovates central concepts in rhetorical theory&—not only intention but also deliberation, politics, and judgment.
Intentions in Comedy Discourse

Author: Ibukun Filani
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2025-01-27
Intentions in Comedy Discourse presents a systematic pragmatic analysis of stand-up comedy. Drawing on previous literature on humour, socio-cognitive pragmatics, interactional sociolinguistics, storytelling, and media discourse analysis, the author proposes a theoretical perspective on comedy discourse that interrogates the way stand-up performers entextualise culture and society to instantiate situated actions with interactional, textual or social functions. The book addresses how we can objectively move from stand-up jokes to how humorous discourse does things in the real world, either in interacting with audiences or in creating heightened socio-political consciousness in them.
Fiction

Author: Catharine Abell
language: en
Publisher: Oxford University Press
Release Date: 2020-06-10
By taking a distinctively institutional approach, Catharine Abell provides a unified solution to a wide range of philosophical problems raised by fiction. In particular, she draws attention to the epistemology of fiction, which has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, yet few attempts have been made to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretation of them. This book answers both metaphysical and epistemological questions concerning fiction in a way that clarifies the relation between them: What distinguishes works of fiction from works of non-fiction? What is the nature of fictive utterances? How do audiences identify the contents of authors' fictive utterances? How does understanding a work of fiction differ from interpreting it? This book develops the first single theory to provide answers to these questions and many more.