Art Without Borders


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Art Without Borders


Art Without Borders

Author: Ben-Ami Scharfstein

language: en

Publisher: University of Chicago Press

Release Date: 2009-08-01


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People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.

Art Without Borders


Art Without Borders

Author: Victoria Averbukh

language: en

Publisher: AuthorHouse

Release Date: 2014-10-16


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Art is the great connector, as proven here in the stories these seven Eastern European female artists share about their work, their immigration experiences, and their acclimation into American culture. Victoria Averbukh, of Russian and Jewish descent, journalist by profession, knows firsthand what these women have faced, having come to the United States and raised American children while successfully keeping their Russian heritage alive. These seven artists all work in different mediums. Their work could not be more different; however, their shared experiences create a common thread, weaving their Eastern European roots into their American lifestyles. Their work on a whole is vibrant, colorful, and passionate. Victoria has chosen a group of women whose stories are as fascinating and powerful as the work they create. She has chosen well. Each of them makes the world a brighter, more beautiful place, and for that, we all must stand up and applaud! Nina Seigenfeld Velazquez, visual artist and curator, New York

Imagination without Borders


Imagination without Borders

Author: Laura Hein

language: en

Publisher: U of M Center For Japanese Studies

Release Date: 2010-01-08


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Tomiyama Taeko, a Japanese visual artist born in 1921, is changing the way World War II is remembered in Japan, Asia, and the world. Her work deals with complicated moral and emotional issues of empire and war responsibility that cannot be summed up in simple slogans, which makes it compelling for more than just its considerable beauty. Japanese today are still grappling with the effects of World War II, and, largely because of the inconsistent and ambivalent actions of the government, they are widely seen as resistant to accepting responsibility for their nation’s violent actions against others during the decades of colonialism and war. Yet some individuals, such as Tomiyama, have produced nuanced and reflective commentaries on those experiences, and on the difficulty of disentangling herself from the priorities of the nation despite her lifelong political dissent. Tomiyama’s sophisticated visual commentary on Japan’s history—and on the global history in which Asia is embedded—provides a compelling guide through the difficult terrain of modern historical remembrance, in a distinctively Japanese voice.