An Orchestra Beyond Borders
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An Orchestra Beyond Borders
Bringing together young musicians from Palestine, Israel and other countries of the Middle East, the West-Eastern Divan Orchestra is both one of the most acclaimed youth orchestras in the world and a rare note of hope in a war-torn region. Founded by Daniel Barenboim and Edward Said in 1999, it aims to promote Arab-Israeli understanding through music. In An Orchestra Beyond Borders, Elena Cheah, a professional musician and assistant to Daniel Barenboim, explores the orchestra's journey through the remarkable stories of the musicians that comprise it. These youthful testimonies are a window into the life of the region. Together, they communicate the musicians' ambitions and hopes, their varied and conflicting views on life and politics, and above all the orchestra's transformative ability to create an atmosphere of musical cooperation away from the implications and hardships of a world full of division and conflict.
Beholden
Author: Susan R. Holman
language: en
Publisher: Oxford University Press
Release Date: 2015-01-28
Winner of the 2016 Grawemeyer Award in Religion Global health efforts today are usually shaped by two very different ideological approaches: a human rights-based approach to health and equity-often associated with public health, medicine, or economic development activities; or a religious or humanitarian "aid" approach motivated by personal beliefs about charity, philanthropy, missional dynamics, and humanitarian "mercy." The underlying differences between these two approaches can create tensions and even outright hostility that undermines the best intentions of those involved. In Beholden: Religion, Global Health, and Human Rights, Susan R. Holman--a scholar in both religion and the history of medicine--challenges this traditional polarization by telling stories designed to help shape a new perspective on global health, one that involves a multidisciplinary integration of religion and culture with human rights and social justice. The book's six chapters range broadly, describing pilgrimage texts in the Christian, Hindu, Buddhist, and Islamic traditions; the effect of ministry and public policy on nineteenth-century health care for the poor; the story of the Universal Declaration of Human Rights as it shaped economic, social, and cultural rights; a "religious health assets" approach based in Southern Africa; and the complex dynamics of gift exchange in the modern faith-based focus on charity, community, and the common good. Holman's study serves as an insightful guide for students and practitioners interested in improving and broadening the scope of global health initiatives, with an eye towards having the greatest impact possible.
The Oxford Handbook of the New Cultural History of Music
Author: Jane F. Fulcher
language: en
Publisher: Oxford University Press
Release Date: 2013-11-01
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.