Abstract Objects Ideal Forms And Works Of Art
Download Abstract Objects Ideal Forms And Works Of Art PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Abstract Objects Ideal Forms And Works Of Art book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Abstract Objects, Ideal Forms, and Works of Art
Joining philosophy of language with phenomenological aesthetics, this book defines the epistemological status of abstract objects and works of art. Beginning with a provocative conversation between Socrates, Plato, Wittgenstein, and Jung, the book introduces the concept, and coins the term, "Platonic Inductive Fallacy," deriving from a cycle of language games. The author then invokes Robert Stalnaker to clarify the difference between real and actual objects, which gives new insight into the epistemology of abstract objects. Armed with defined abstract objects, the reader is taken through a fascinating journey from 1890s aestheticism to present-day phenomenological aesthetics. The book clearly establishes principles and methods for defining works of art, and applies them to two versions of a Henry James novella. The clear definitions and inventive methods, supported with impressive, detailed research, lead to compelling and well-taken conclusions. This journey pays off with important and exciting results.
The SAGE Handbook of Visual Research Methods
This book captures the state of the art in visual research. Margolis and Pauwels have brought together, in one volume, a unique survey of the field of visual research that will be essential reading for scholars and students across the social sciences, arts and humanities. The SAGE Handbook of Visual Research Methods encompasses the breadth and depth of the field, and points the way to future research possibilities. It illustrates ′cutting edge′ as well as long-standing and recognized practices. This book is not only ′about′ research, it is also an example of the way that the visual can be incorporated into data collection and the presentation of research findings. Chapters describe a methodology or analytical framework, its strengths and limitations, possible fields of application and practical guidelines on how to apply the method or technique. The Handbook is organized into seven main sections: - Framing the Field of Visual Research - Producing Visual Data and Insight - Participatory and Subject-Centered Approaches - Analytical Frameworks and Approaches - Visualization Technologies and Practices - Moving Beyond the Visual - Options and Issues for Using and Presenting Visual Research. Eric Margolis is an Associate Professor in the Hugh Downs School of Human Communication. He is President of the International Visual Sociology Association. Luc Pauwels is Professor of Visual Culture at the University of Antwerp. He is Chair of the Visual Communication Studies Division of the ICA and Vice-President of the International Visual Sociology Association (IVSA).
On Abstract Art
Many people are intrigued by the abstract work of artists like Mondrian and Jackson Pollock yet find it difficult to explain why. In this timely and original book, Briony Fer introduces abstract painting and sculpture of the twentieth century and explores new ways to think about abstract art and the problems of interpretation it raises. Fer speculates on the kind of language required to describe the often tantalizing effects of key abstract works and on ways to discuss critical issues when a work of art is without 'subject matter.' Drawing particularly on psychoanalytic theory and the writings of Georges Bataille, she examines a wide range of models of abstraction, ranging from the early European emphasis on the transcendental possibilities of pure form to later modernist frameworks developed in the United States. Each of the ten chapters in the book addresses a particular problem associated with abstract art by focusing closely on specific works produced by such artists as Malevich, Mondrian, Kandinsky, Arp, Miró, Pollock, Eva Hesse, and Donald Judd. Fer investigates the involvement of women artists such as Lyubov Popova and the problems of sexual difference in the development of abstract art. Countering the idealizing rhetoric of modernist criticism, On Abstract Art uncovers a latent corporeal and darker side to abstraction and deepens today’s discussion of a variety of critical concerns in contemporary art.