Zones Of Hell
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The vision of hell
The vision of hell of Divine Comedy by Dante Alighieri The Inferno tells the journey of Dante through Hell, guided by the ancient Roman poet Virgil. In the poem, Hell is depicted as nine concentric circles of torment located within the Earth; it is the "realm ... of those who have rejected spiritual values by yielding to bestial appetites or violence, or by perverting their human intellect to fraud or malice against their fellowmen". As an allegory, the Divine Comedy represents the journey of the soul toward God, with the Inferno describing the recognition and rejection of sin.
Hell's Highway
The author of The Battered Bastards of Bastogne does a “superb job of telling the history the 101st Airborne Division during Operation Market Garden” (Kepler’s Book Reviews). Hell’s Highway is a history, most of which has never before been written. It is adventure recorded by those who lived it and put into context by an author who was also there. It is human drama on an enormous scale, told through the personal stories of 612 contributors of written and oral accounts of the Screaming Eagles’ part in the attempt to liberate the Netherlands. Koskimaki is an expert in weaving together individual recollections to make a compelling and uniquely first-hand account of the bravery and deprivations suffered by the troops, and their hopes, fears, triumphs, and tragedies, as well as those of Dutch civilians caught up in the action. There have been many books published on Operation Market Garden and there will surely be more. This book, however, gets to the heart of the action. The “big picture,” which most histories paint, here is just the context for the real history on the ground.
Hell's Kitchen and the Battle for Urban Space
Hell’s Kitchen is among Manhattan’s most storied and studied neighborhoods. A working-class district situated next to the West Side’s middle- and upper-class residential districts, it has long attracted the focus of artists and urban planners, writers and reformers. Now, Joseph Varga takes us on a tour of Hell’s Kitchen with an eye toward what we usually take for granted: space, and, particularly, how urban spaces are produced, controlled, and contested by different class and political forces. Varga examines events and locations in a crucial period in the formation of the Hell’s Kitchen neighborhood, the Progressive Era, and describes how reformers sought to shape the behavior and experiences of its inhabitants by manipulating the built environment. But those inhabitants had plans of their own, and thus ensued a struggle over the very spaces—public and private, commercial and personal—in which they lived. Varga insightfully considers the interactions between human actors, the built environment, and the natural landscape, and suggests how the production of and struggle over space influence what we think and how we live. In the process, he raises incisive questions about the meaning of community, citizenship, and democracy itself.