Young People Media And Nostalgia


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Young People, Media, and Nostalgia


Young People, Media, and Nostalgia

Author: Rodrigo Muñoz-González

language: en

Publisher: Taylor & Francis

Release Date: 2024-10-18


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This book explores how Latin American young people engage with nostalgia and grasp a sense of nostalgic representations of the 1970s and 1980s through contemporary media. Based on ethnographic fieldwork conducted in Costa Rica, this book analyses how young audiences make sense of nostalgic representations of transnational pasts, thus creating a link between media reception practices and the engagement with broader social, cultural, economic, and political structures. It also brings to the fore new insights concerning the role media has in fostering senses of national memory by highlighting the key role of everyday media engagements in comprehending the past. This comprehensive empirical study will be of interest to scholars, researchers and students of media and communications studies, Latin American studies, sociology, digital culture, memory studies, social and cultural anthropology, youth studies, cultural studies, and readers interested in popular culture, television, and cinema.

Young People, Media, and Nostalgia


Young People, Media, and Nostalgia

Author: Rodrigo Muñoz-González

language: en

Publisher:

Release Date: 2024-11


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Screen Media and the Construction of Nostalgia in Post-Socialist China


Screen Media and the Construction of Nostalgia in Post-Socialist China

Author: Zhun Gu

language: en

Publisher: Springer Nature

Release Date: 2023-01-31


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This book traces the cultural transformation of nostalgia on the Chinese screen over the past three decades. It explores how filmmakers from different generations have engaged politically with China’s rapidly changing post-socialist society as it has been formed through three mutually constitutive frameworks: political discourse, popular culture and state-led media commercialisation. The book offers a new, critical model for understanding relationships between filmmakers, industry and the State.