Wu Zhao
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The World of Wu Zhao
This annotated translation of Zhang Zhuo’s collection of miscellany, Court and Country, offers a lively, folksy, and novel perspective on the empire of Wu Zhao, China’s first and only female emperor, that will amuse and shock readers, prompting them to recalibrate everything they think they know about medieval China. The World of Wu Zhao includes separate chapters on a number of different themes and topics: Buddhist and Daoist monks, the female emperor’s male favorites (who dressed up in rainbow feathered garments and pranced around her court astride wooden red-capped cranes), cruel officials (bloodthirsty henchmen who took an aesthetic delight in their vocation), as well as sections on flora and fauna, the common folk, artisans and craftsmen, the military, spirits and the supernatural, the borderlands, and local officials.
Wu Zhao
The story chronicles Wu Zhao's humble beginnings as the daughter of a provincial official and follows her path to the inner palace, where she improbably rose from a fifth-ranked concubine to emperor. Using Buddhist rhetoric, architecture, court rituals, and a network of "cruel officials" to cow her many opponents in court, Wu Zhao inaugurated a new dynasty in 690, the Zhou. She ruled as emperor for fifteen years, proving eminently competent in the art of governance, balancing factions in court, staving off the encroachment of Turks and Tibetans, and fostering the state's economic growth.
Emperor Wu Zhao and Her Pantheon of Devis, Divinities, and Dynastic Mothers
Author: N. Harry Rothschild
language: en
Publisher: Columbia University Press
Release Date: 2015-06-16
Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.