Writing Into The Wound Understanding Trauma Truth And Language
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I Won't Shut Up
"Your voice has unimaginable power, and you have every right to use it. This book will show you how."--from the foreword by Danielle Coke, illustrator, advocate, and entrepreneur Being Black in a society developed by white men to benefit white men means constantly pushing back against systems that were not constructed for your flourishing. You're made to feel that your life doesn't matter, your opinions aren't valid, and your entire existence is too loud. It can feel like the whole world is telling you to shut up. To these forces, Ally Henny is here to say, "No. I am a loud Black woman, and I won't shut up." Ally knows what it's like to navigate racism and racialized sexism. She's not taking it anymore, and she's calling you to join her in resisting racism by speaking the truth. If you're tired of feeling silenced, misunderstood, and abused by society, you'll find here powerful words of liberation that will empower you to find--and use--your voice. "Henny is candid about her own path to self-acceptance . . . Readers will be empowered."--Publishers Weekly
Writing Wounds
In the last decade, the question of how trauma is remembered and narrated has become increasingly crucial in literary studies and in psychotherapy. Writing Wounds rethinks the relation between trauma, memory and narrative through readings of key fictional, autobiographical and “autofictional” texts by recent French women writers: Marie Cardinal, Chantal Chawaf, Hélène Cixous, Charlotte Delbo, Béatrice de Jurquet and Sarah Kofman. By drawing on and also interrogating recent theories of trauma, this study shows that trauma is inscribed in writing through recurring images of the body and of bodily wounding that mark the limits and possibilities of narrativisation. This book has a double aim: to offer new readings of texts by modern French women writers and to rethink the crucial question of how narratives of trauma are to be read. Writing Wounds will be of interest to researchers working on trauma, modern French literature, women’s writing or “life-writing” as well as to a range of undergraduate and postgraduate courses on trauma and narrative.
Ted Hughes and Trauma
This book is a radical re-appraisal of the poetry of Ted Hughes, placing him in the context of continental theorists such as Jacques Lacan, Jacques Derrida and Slavoj Zizek to address the traumas of his work. As an undergraduate, Hughes was visited in his sleep by a burnt fox/man who left a bloody handprint on his essay, warning him of the dangers of literary criticism. Hereafter, criticism became ‘burning the foxes’. This book offers a defence of literary criticism, drawing Hughes’ poetry and prose into the network of theoretical work he dismissed as ‘the tyrant’s whisper’ by demonstrating a shared concern with trauma. Covering a wide range of Hughes’ work, it explores the various traumas that define his writing. Whether it is comparing his idea of man as split from nature with that of Jacques Lacan, considering his challenging relationship with language in light of Roland Barthes and Jacques Derrida, seeing him in the art gallery and at the movies with Gilles Deleuze, or considering his troubled relationship with femininity in regard to Teresa Brennan and Slavoj Žižek, Burning the Foxes offers a fresh look at a familiar poet.