Writing At Russia S Borders
Download Writing At Russia S Borders PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Writing At Russia S Borders book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Writing at Russia's Borders
Author: Katya Hokanson
language: en
Publisher: University of Toronto Press
Release Date: 2008-09-15
It is often assumed that cultural identity is determined in a country’s metropolitan centres. Given Russia’s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia’s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance. Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia’s border regions profoundly influenced the nation’s literature, posing challenges to stereotypical or territorially based conceptions of Russia’s imperial, military, and cultural identity. A highly canonical text such as Pushkin’s Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy’s The Cossacks (1863), which is explicitly set on Russia’s border and has become central to the Russian canon. Hokanson cites the influence of these and other ‘peripheral’ texts as proof that Russia’s national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities. Writing at Russia’s Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature.
The Border - A Journey Around Russia
A journey along the seemingly endless Russian border - from North Korea in the Far East through Russia's bordering states in Asia and the Caucasus, crossing the Caspian Ocean and the Black Sea along the way. "Erika Fatland [is] shaping up to be one of the Nordics' most exciting new travel writers" National Geographic **SHORTLISTED FOR THE STANFORDS DOLMAN TRAVEL BOOK OF THE YEAR 2020** "A hauntingly lyrical meditation to the contingencies of history" Wall Street Journal "[An] impressive mix of history, reportage and travel memoir" Washington Post The Border is a book about Russia and Russian history without its author ever entering Russia itself; a book about being the neighbour of that mighty, expanding empire throughout history. It is a chronicle of the colourful, exciting, tragic and often unbelievable histories of these bordering nations, their cultures, their people, their landscapes. Through her last three documentary books - one about terrorism in Beslan, one about the 2011 terror attacks in Norway and one about post-Soviet Central Asia - social anthropologist Erika Fatland has established herself as a sharp observer and an outstanding interviewer at the forefront of Nordic non-fiction. Translated from the Norwegian by Kari Dickson
The Border
The acclaimed author of Sovietistan travels along the seemingly endless Russian border and reveals the deep and pervasive influence it has had across half the globe. Imperial, communist or autocratic, Russia has been—and remains—a towering and intimidating neighbor. Whether it is North Korea in the Far East through the former Soviet republics in Asia and the Caucasus, or countries on the Caspian Ocean and the Black Sea. What would it be like to traverse the entirity of the Russian periphary to examine its effects on those closest to her? An astute and brilliant combination of lyric travel writing and modern history, The Border is a book about Russia without its author ever entering Russia itself. Fatland gets to the heart of what it has meant to be the neighbor of that mighty, expanding empire throughout history. As we follow Fatland on her jounrey, we experience the colouful, exciting, tragic and often unbelievable histories of these bordering nations along with their cultures, their people, their landscapes. Sharply observed and wholly absorbing, The Border is a surprsing new way to understand a broad part our world.