Write Soon And Often
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Write Soon and Often
Travelling through Europe in the summer of 1939, 17-year-old Donald Plaunt witnessed preparations for war in every country he visited. After he completed high school in 1941, Donald became part of that war when he enlisted in the RCAF and became a Lancaster pilot. After training for 20 months, he flew in operations for five weeks before his death on his 11th mission in 1943. There are many compelling stories written by veterans about Bomber Command. What makes this pilot's story unique is that it is told in his youthful voice selected from 150 letters he wrote home. Peppered with his amusing sense of humour, his letters convey a very personal and colourful narrative ranging from tales of his Air Force training, the events of the war, the people he cared about, and the issues that bothered him. It is a story about youth and hope as we follow his journey from a carefree and somewhat entitled rookie pilot to the generous and proud captain of a Lancaster crew. It is also a story of sorrow that explores the heartbreaking impact of his death on his family when he, like so many other young men, did not return home.
The Life of Ludwig van Beethoven (Complete)
Author: Alexander Wheelock Thayer
language: en
Publisher: Library of Alexandria
Release Date: 2020-09-28
If for no other reasons than because of the long time and monumental patience expended upon its preparation, the vicissitudes through which it has passed and the varied and arduous labors bestowed upon it by the author and his editors, the history of Alexander Wheelock Thayer’s Life of Beethoven deserves to be set forth as an introduction to this work. His work it is, and his monument, though others have labored long and painstakingly upon it. There has been no considerable time since the middle of the last century when it has not occupied the minds of the author and those who have been associated with him in its creation. Between the conception of its plan and its execution there lies a period of more than two generations. Four men have labored zealously and affectionately upon its pages, and the fruits of more than four score men, stimulated to investigation by the first revelations made by the author, have been conserved in the ultimate form of the biography. It was seventeen years after Mr. Thayer entered upon what proved to be his life-task before he gave the first volume to the world—and then in a foreign tongue; it was thirteen more before the third volume came from the press. This volume, moreover, left the work unfinished, and thirty-two years more had to elapse before it was completed. When this was done the patient and self-sacrificing investigator was dead; he did not live to finish it himself nor to see it finished by his faithful collaborator of many years, Dr. Deiters; neither did he live to look upon a single printed page in the language in which he had written that portion of the work published in his lifetime. It was left for another hand to prepare the English edition of an American writer’s history of Germany’s greatest tone-poet, and to write its concluding chapters, as he believes, in the spirit of the original author. Under these circumstances there can be no vainglory in asserting that the appearance of this edition of Thayer’s Life of Beethoven deserves to be set down as a significant occurrence in musical history. In it is told for the first time in the language of the great biographer the true story of the man Beethoven—his history stripped of the silly sentimental romance with which early writers and their later imitators and copyists invested it so thickly that the real humanity, the humanliness, of the composer has never been presented to the world. In this biography there appears the veritable Beethoven set down in his true environment of men and things—the man as he actually was, the man as he himself, like Cromwell, asked to be shown for the information of posterity. It is doubtful if any other great man’s history has been so encrusted with fiction as Beethoven’s. Except Thayer’s, no biography of him has been written which presents him in his true light. The majority of the books which have been written of late years repeat many of the errors and falsehoods made current in the first books which were written about him. A great many of these errors and falsehoods are in the account of the composer’s last sickness and death, and were either inventions or exaggerations designed by their utterers to add pathos to a narrative which in unadorned truth is a hundredfold more pathetic than any tale of fiction could possibly be. Other errors have concealed the truth in the story of Beethoven’s guardianship of his nephew, his relations with his brothers, the origin and nature of his fatal illness, his dealings with his publishers and patrons, the generous attempt of the Philharmonic Society of London to extend help to him when upon his deathbed.
Beethoven - A Memoir
First published in 1870, “Beethoven - A Memoir” is a biographical sketch of Beethoven written by Elliot Graeme. Ludwig van Beethoven (1770–1827) was a German composer and pianist. Beethoven's musical prowess was recognised from an early age, and he soon became famous as a virtuoso pianist and composer. However, after having gone almost completely deaf by 1814, Beethoven ceased public performances and appearances entirely. One of the most celebrated composers in Western history, Beethoven's music remains amongst the most commonly-performed classical music around the world. His most notable compositions include: “Symphony No. 1 in C major, Op. 21”, “Violin Concerto in D major, Op. 61” and “Piano Concerto No. 5 in E♭ major, Op. 73”. Contents include: “Introductory”, “Boyhood”, “Youth”, “Lehrjahre”, “The Virtuoso”, “Conflict”, “Love”, “Victory and Shadow”, “The Pianoforte Sonatas”, “Classification of Beethoven's Pianoforte Sonatas”, and “List of Beethoven's Works”. This volume offers a unique insight in to the life and mind of this incredible composer and will appeal to those with an interest in classical music. Read & Co. Books is republishing this classic memoir now in a new edition complete with an introductory essay by Ferdinand Hiller.