Write It Down Song
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Song
Author: American Songwriter Magazine
language: en
Publisher: Penguin
Release Date: 2006-12-20
The secrets of songwriting from the legends of music Song is an enthralling compilation of songwriting wisdom from 100 of the biggest names in music. From country to rock to folk to alternative, this genre-spanning collection of interviews captures the anecdotes, history, and wisdom of the best songwriters around - in their words. An entertaining read as well as an indispensable guide to the art and craft of songwriting, Song is a must-have resource for the aspiring, amateur, or professional musician. Inside, you'll find entertaining and enlightening interviews from great songwriters such as Smokey Robinson, Willie Nelson, Jewel, Kenny Chesney, Cat Stevens, Jack Johnson, Sheryl Crow, John Legend, John Mellencamp, Ray Charles, Clint Black, Rob Thomas, Dolly Parton, Rufus Wainwright, Bob McDill, Lyle Lovett, Keith Urban, Beck, M. Ward, Lou Reed, Roger Miller, Grant-Lee Phillips, and John Denver.
The Poet’s Song
This book explores the ‘folk’ performance genre of Kobigaan, a dialogic song-theatre form in which performers verse-duel in contemporary West Bengal in India and Bangladesh. The book shows how the genre, thought to be a nearly extinct form, is still prevalent in the region. The author shows how, like many other ‘folk’ practices in South and South-East Asia, the content and format of this genre has undergone vital changes, thus raising questions of authenticity, patronage, and cultural politics. She captures live performances of Kobigaan through ethnographies spread across borders—from village rituals to urban festivals, and from Bengali cinema to television and new media. While understanding Kobigaan from the practitioners’ points of view, this book also explores the crucial issues of gender, marginalisation, and representation that are true of any performance genre. Drawing on case studies, it underlines the issues of artistic agency, empowerment, cultural labour and heritage, rituals, authenticity, creative industries, media, gender, and identity politics. Part of the South Asian History and Culture series, this book is a major intervention in South Asian folklore and performance studies. It also expands into the larger disciplines of literature, social and cultural movements in South Asia, ethnomusicology, and the politics of performance.
Willie
Nelson, self-proclaimed "outlaw'' of country music, is depicted from many angles in this rambling account of his trajectory into celebrity. Written with freelancer Shrake in salty and sometimes vulgar language, Nelson's reflections on his three wives, children, his country music peers and others in his large, floating entourage reveal a hard-living man. The singer toiled in the fields as a child during the Depression, was left by his teenage parents with grandparents who raised him and his sister in Texas. The experience was pivotal to his career: "My desire to escape from manual labor started in the cotton fields of my childhood and cannot be overstated.'' Nelson began his road life as "an itinerant singer and guitar picker'' on trips punctuated with alcohol, drugs and sex as he climbed to eminence in the world of country music. Now "crossed over,'' popular with national audiences, Nelson notes that he enjoys all the personal perquisites of his success. Among his revelations here, the singer recalls smoking pot on the roof of the White House after entertaining at a Carter state dinner. Photos not seen by PW. BOMC and QPBC alternates; first serial to Texas Monthly and Golf Digest; paperback rights to Pocket Books. (October) - Publishers Weekly.