Work And Object Explorations In The Metaphysics Of Art
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Work and Object
Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishable doubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many more besides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausée and recent conceptual art. Some surprising conclusions are derived, about the identity conditions of works and about the difference, often, between what a work seems to be and what it really is.
Grazer Philosophische Studien, Vol. 88 – 2013
Inhaltsverzeichnis/Table of Contents Abhandlungen/Articles M. Oreste Fiocco: An Absolute Principle of Truthmaking Daniel Alexander Milne: Everett¿s Dilemma: How Fictional Realists Can Cope with Ontic Vagueness Carlo Penco: Indexicals as Demonstratives: On the Debate between Kripke and Künne Roberto Horácio De Sá Pereira: Phenomenal Concepts as Mental Files Ángel García Rodríguez: A Wittgensteinian Conception of Animal Minds Stefan Lukits: Carnap¿s Conventionalism in Geometry Delia Belleri & Michele Palmira: Towards a Unified Notion of Disagreement Matthew Lee: Conciliationism Without Uniqueness Emanuel Viebahn: Against Context-Sensitivity Tests Christoph Kelp: How to Motivate Anti-Luck Virtue Epistemology Ishtiyaque Haji: Event-Causal Libertarianism¿s Control Conundrums Essay-Wettbewerb/Essay Competition Salim Hirèche & Sandra Villata: Eating Animals and the Moral Value of Non-Human Suffering Simon Gaus: Folgt aus dem Unwert der Tierhaltung ein Verbot des Fleischkonsums? Jens Tuider: Dürfen wir Tiere essen? Buchnotizen/Critical Notes Ion Tănăsescu (ed.): Franz Brentano¿s Metaphysics and Psychology. Bucharest: Zeta Books. 2012. (Hamid Taieb) Biagio G. Tassone: From Psychology to Phenomenology: Franz Brentano¿s Psychology From An Empirical Standpoint and Contemporary Philosophy of Mind. Houndsmill: Palgrave Macmillan. 2012 (Mark Textor) Jens Glatzer: Schönheit. Ein Klärungsversuch. Frankfurt a.M. [u.a.]: Ontos-Verlag. 2012. (Philipp Dollwetzel) Peter Lamarque: Work and Object. Explorations in the Metaphysics of Art. Oxford: Oxford University Press. 2010. (Wolfgang Huemer)
The Routledge Companion to Philosophy of Literature
The Routledge Companion to Philosophy of Literature is an in-depth examination of literature through a philosophical lens, written by distinguished figures across the major divisions of philosophy. Its 40 newly-commissioned essays are divided into six sections: historical foundations what is literature? aesthetics & appreciation meaning & interpretation metaphysics & epistemology ethics & political theory The Companion opens with a comprehensive historical overview of the philosophy of literature, including chapters on the study’s ancient origins up to the 18th-20th centuries. The second part defines literature and its different categories. The third part covers the aesthetics of literature. The fourth and fifth sections discuss the meaning and consequences of philosophical interpretation of literature, as well as epistemological and metaphysical issues such as literary cognitivism and imaginative resistance. The sixth section contextualizes the place of philosophy of literature in the "real world" with essays on topics such as morality, politics, race and gender. Fully indexed, with helpful further reading sections at the end of each chapter, this Companion is an ideal starting point for those coming to philosophy of literature for the first time as well as a valuable reference for readers more familiar with the subject.