Wooden Musical Instruments Different Forms Of Knowledge
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Handbook of Materials for Wind Musical Instruments
This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.
Musical Instruments
The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
Interdisciplinary Approach to the Violin
Author: Mariana Domnica Stanciu
language: en
Publisher: Springer Nature
Release Date: 2025-05-26
This book can be viewed in many ways as it explores the interdisciplinarity of research in violin engineering and art, being a valuable reference for readers interested in the acoustics of violins and in the science of materials used for making them. In this book, the wood science, the chemistry of varnish, the art and technology of violin making by luthiers and organologic context of violins, are put together giving a holistic view of the subject and complementing the large literature which exists on this instrument. The book is addressed to teachers, researchers, makers of musical instruments and artists alike, this being a good premise for understanding the complexity of the interdisciplinary phenomena that musical instruments involve. This book is based on the material most of which was accumulated during the period 2019-2024, within the ACADIA (61PCE/2022) and MINOVIS (568PED/2020) projects, financial supported by The Executive Unit for the Financing of Higher Education, Research, Development and Innovation from Romania (UEFISCDI).