Winter Masques
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Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale
This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.
The Dead Men
'A vivid, gripping story, beautifully handled, with a gem on every page' - Tracy Chevalier 'Once again J.C. Harvey has cleared the high bar in historical fiction by a mile.' - S. W. Perry 'Vibrant, twisting and compelling' - Minette Walters 'Excellent writing, intricate plotting and masterful senses of place and time make Harvey's books compulsive reads.' - Historia Summer 1630. The Swedish army is fighting its way down through Germany, with Jack Fiskardo and his company of scouts, or 'discoverers', fighting the guerrilla war ahead of the main advance. There are new allies to be made, new perils to overcome, new enemies to outwit and new adventures to pursue; but there is also a fortune for the taking, a mystery to be solved, and a destiny to fulfil - one that will see Jack brought face-to-face at last with his sworn enemy, Carlo Fantom. And in the wintry forests of Bohemia, that destiny will present Jack with an almost impossible choice - does he pursue his final vengeance, or does he turn aside, to help a child as helpless as he once was himself?
The Winter's Tale
First published in 1969. Critics have in the past described The Winter's Tale as a work of "haphazard structure". More recent criticism has defended the structure of the play and this work shows that the evidence points to the fact that Shakespeare took infinite pains with the choice and disposition of the materials of The Winter's Tale. The scene-by-scene commentary considers The Winter's Tale in isolation, but prologue, epilogue and appendix place it in the context of related plays, and discuss, among others, the problem of genre as it affects the play.