William Hung Songs
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Play it Again: Cover Songs in Popular Music
Author: Professor George Plasketes
language: en
Publisher: Ashgate Publishing, Ltd.
Release Date: 2013-01-28
Covering—the musical practice of one artist recording or performing another composer's song—has always been an attribute of popular music. In 2009, the internet database Second Hand Songs estimated that there are 40,000 songs with at least one cover version. Some of the more common variations of this "appropriationist" method of musical quotation include traditional forms such as patriotic anthems, religious hymns such as Amazing Grace, Muzak's instrumental interpretations, Christmas classics, and children's songs. Novelty and comedy collections from parodists such as Weird Al Yankovic also align in the cover category, as does the "larcenous art" of sampling, and technological variations in dance remixes and mash-ups. Film and television soundtracks and advertisers increasingly rely on versions of familiar pop tunes to assist in marketing their narratives and products. The cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, genres, individual records, and other artists and their catalogues of works.The cover complex, with its multiple variations, issues, contexts, and re-contextualizations comprises an important and rich popular culture text. These re-recordings represent artifacts which embody artistic, social, cultural, historical, commercial, biographical, and novel meanings. Through homage, allusion, apprenticeship, and parody, among other modes, these diverse musical quotations express, preserve, and distribute popular culture, popular music and their intersecting historical narratives. Play it Again represents the first collection of critical perspectives on the many facets of cover songs in popular music.
The Five Books of Van Gross's
Author: Kenneth Bruce Van Gross M.D.
language: en
Publisher: Xlibris Corporation
Release Date: 2021-11-11
Reawaken, you awoken wokesters and anti-leftist xenophobes, and get your new bible. The Five Books of Van Gross’s focuses hearkens back to the “Middle Aughts” which is the period that included launching weather crusades, being a "birther" or talking nonsense at Townhall Meetings about "healthcare" (which is really medical care plus a gym membership, glasses and teeth cleaning); here was the mid-Decade of the Zeroes or the zeros, or zorro, the fox so cunning and free, that epoch from 2003-2007, in that Aughts Decade, that Would've, Could've, Should've Oughts Decade, or as some have called it, That Aughtistic Period (or at least an ADD case) demanding an explanation, couched in brain/mind disturbances via satirical essays. This five-volume set containing nearly 500 humor essays opens with They Shoot Lesbians Don’t They? covering most of 2004, followed by Deep Tricksters-From the Felt Man to the Veep Man-November 2004 to June 2005, the executive branch hunting related extravaganza Duck, It's Dick.. Not me Dick, the Duck, June 2005- March 2006 and is followed by Van Gross Misconduct February 2006 to August 2006 and finally Van Maniac September 2006- March 2007. The urgency for this historic volume draws from where we were in the lead up to where we are. Has political and cultural satire dwindled over the century’s first two decades plus? Hardly. And supporting works (essays and poetry) by Van Gross, MD dating back to the Bill Clinton Style impeachment period and post- Five Books works in pre-print that include the pre-teens to mid teen years constituting the sacred Obama period of carefully manufactured total boredom followed by the culminating late teen epoch of Donald Trump which featured our polarization insanity half decade 2016-2020 highlighted by Impeachments Gone Wild. If the country is not formally institutionalized in padded rooms by 2021, the roaring or throat clearing Jabiden ‘20’s should offer opportunities for millions to hop, skip and jump over to their local bookstore or online outlet for Five Books to buttress the smirk packed absurdity that has become the rule in the dawn of this third millennium since Christ sashayed over hills, dales and water staying vigilant for some upcoming Van Gross, MD masterpiece called the Jabiden Chronicles- Crash and Burn by ’29 or Bust, Seems Like Old Times
TV-a-Go-Go
From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television—as this critical look brilliantly shows—has done a superb job of presenting the energy of rock in a fabulously entertaining but patently "fake" manner. The dichotomy of "fake" and "real" music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like Shindig! and Soul Train somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when Saturday Night Live invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny.