Who Played In The Movie A Time To Kill
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A Time to Kill
A black girl is raped by two drunken rednecks. The town reacts with horror until the girl's father takes justice into his own hands. He kills the two whites on their way to jail. For days the nation sits spellbound as the defence lawyer struggles to save his client's life and then his own.
The Firm
#1 WORLDWIDE BESTSELLER • The iconic legal thriller that launched the career of America’s favorite storyteller, hailed as “an absolute master” (The Washington Post) “[An] ingenious man-in-the-middle thriller.”—Entertainment Weekly Mitch McDeere has worked hard to get where he is: third in his class at Harvard Law. Aggressively recruited by all the top firms, and initially headed for Wall Street, Mitch surprises everyone by joining Bendini, Lambert & Locke, a very private, very rich tax firm in Memphis. Mitch and his wife, Abby, move to Tennessee and quickly settle into their new life: they’re young, happy, and on the fast track. Or so they think. Soon, though, Mitch senses trouble: two of the partners die in a suspicious diving accident off Grand Cayman; the firm’s management is overly proud of the fact that no one has ever resigned; and security measures at the firm, even for a company with billionaire clients, are more than a little stringent. Then, suddenly, Mitch’s vague suspicions come to life. The FBI has the lowdown on Mitch’s firm and needs his help. Now Mitch is caught between a rock and a hard place. The FBI will bust him if he doesn’t cooperate, and the firm will kill him if he does. There’s no way out. Or is there? The story continues in The Exchange, the “breathtaking” (The Wall Street Journal) sequel to The Firm!
Shooting to Kill
Complete with behind-the-scenes diary entries from the set of Vachon's best-known fillms, Shooting to Kill offers all the satisfaction of an intimate memoir from the frontlines of independent filmmakins, from one of its most successful agent provocateurs -- and survivors. Hailed by the New York Times as the "godmother to the politically committed film" and by Interview as a true "auteur producer," Christine Vachon has made her name with such bold, controversial, and commercially successful films as "Poison," "Swoon," Kids," "Safe," "I Shot Andy Warhol," and "Velvet Goldmine."Over the last decade, she has become a driving force behind the most daring and strikingly original independent filmmakers-from Todd Haynes to Tom Kalin and Mary Harron-and helped put them on the map. So what do producers do? "What don't they do?" she responds. In this savagely witty and straight-shooting guide, Vachon reveals trheguts of the filmmaking process--rom developing a script, nurturing a director's vision, getting financed, and drafting talent to holding hands, stoking egos, stretching every resource to the limit and pushing that limit. Along the way, she offers shrewd practical insights and troubleshooting tips on handling everything from hysterical actors and disgruntled teamsters to obtuse marketing executives. Complete with behind-the-scenes diary entries from the sets of Vachon's best-known films, Shooting To Kill offers all the satisfactions of an intimate memoir from the frontlines of independent filmmaking, from one of its most successful agent provocateurs-and survivors.