White Savage
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White Savage
A dramatic, exciting and tragic book about the Irish fur trapper who held the fate of America and the British Empire in his hands. William Johnson began life as a poor Irish Catholic peasant. After converting to Protestantism, he emigrated to America where he became the leading fur trader in the British colony and one of its richest men. He also 'went native', marrying an Indian woman and adopting the religion of her tribe, the Iroquois. When war broke out between the French and English, Johnson held the fate of the British Empire in his hands. If the Indians fought with the French, the British were doomed. A fascinating historical biography of this adventurous man, whose reinvention in the New World made him the first modern American.
White Trash
This collection is devoted to exploring stereotypes about the social conditions of poor whites in the United States and comparing these stereotypes with the social reality.
Investigating Arthur Upfield
Author: Carol Hetherington
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2011-10-18
Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.