What Was Riot Grrrl


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Everything You Need to Know about the Riot Grrrl Movement


Everything You Need to Know about the Riot Grrrl Movement

Author: Cherie Turner

language: en

Publisher: Taylor & Francis US

Release Date: 2001


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Traces the riot grrrl movement, which has its roots in the 1970s punk scene, profiles the movement's leaders, and looks at its surviving legacy in music and feminist magazines and comic books.

Gender in the Music Industry


Gender in the Music Industry

Author: Marion Leonard

language: en

Publisher: Ashgate Publishing, Ltd.

Release Date: 2007


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Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.

Riot Grrrl


Riot Grrrl

Author: Jannika Bock

language: en

Publisher: VDM Publishing

Release Date: 2008


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"We're Bikini Kill. And we want Revolution Girl-style now!!!" In the early 1990s, a female youth movement named Riot Grrrl formed around the feminist punk band Bikini Kill. The band's singer, Kathleen Hanna, became one of the most visible and outspoken activists of Riot Grrrl, which gained momentum particularly in the Pacific Northwest and Washington, D.C. Jannika Bock looks at the beginnings of the youth movement and uncovers its reliance on Second Wave feminists and their works. In her analysis she traces Riot Grrrl's double allegiance: its indebtedness to feminism and the (male) punk scene, two seemingly opposing discourses. Culminating in a case study of Biniki Kill and their first CD Jannika Bock demonstrates how Riot Grrrl re-interpreted the punk narrative in feminist terms. The book is geared towards Americanists and Musicologists, former activists of the youth movement and all people interested in this exciting part of US cultural history.