What Is Toxic Masculinity And Why Does It Matter Harrington
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Toxic Masculinity
Toxic Masculinity brings together scholars across disciplines to explore the ways in which toxic masculinity is constructed, configured and represented online. What is "toxic masculinity"? Examining what it means in the media and public discourse, the contributors have explored a constellation of behaviours, cultures and practices that have been labelled as (or associated with) toxic masculinity including those of politicians, extremists, incels, as well as individual "ordinary" men and their everyday behaviours. Topics covered in the collection include incels and Men Going Their Own Way (MGTOW), bro culture, sexual violence, internalised homophobia, transphobia, white masculinity and political discourse. Toxic Masculinity is intended for a broad spectrum of gender, media, cultural and masculinity studies professionals, academics, researchers and students. The book also includes suggestions for further reading, a discussion of methods used in each chapter and contextual prefaces to make connections between critical questions and cases.
Toxic Masculinity on the London Stage, 1600–1610
Author: Anthony Archdeacon
language: en
Publisher: Taylor & Francis
Release Date: 2025-07-01
The idea of toxic masculinity might feel like a very modern, even twenty-first century notion, but similar concerns about male behaviour, also often characterised in terms of poisons and poisoning, can be identified in the literature of 400 hundred years ago, not only in Shakespeare’s Othello and The Winter’s Tale but also lesser-known plays that were popular on the London stage in the 1600s. Poison-related tropes, and the recurrent plot device of a man trying to poison a woman, expressed complex and sometimes contradictory attitudes towards socially unacceptable male behaviour. These plays depict the early modern male as both poisoned and poisoner – poisoned by inherited misogynistic ideas and attitudes, and poisoner of women, both literally and metaphorically. Seeing them as enacting problematic situations and raising difficult questions rather than simply offering the moral certitudes of Christianity or the prescriptions of contemporary conduct book, the book points to these plays as evidence of disquiet and anxieties to which we can still easily relate today. The fact that some plays responded to real-life events such as familicide is an indicator of this socially responsible role of the theatre, engaging its audience in current issues and controversies. The use of the poison theme in relation to male violence and misogyny shows that the early modern theatre was raising awareness of the same problems that are identified as toxic masculinity today.
Grief, Madness, and Crises of Masculinity in Mind-Game Films
Author: Rosalind Sibielski
language: en
Publisher: Rowman & Littlefield
Release Date: 2024-08-22
This book analyzes a cycle of early twenty-first-century mind-game films and TV series in which male protagonists retreat into fantasies, dreams, or hallucinations as a means of coping with grief and guilt following the death of a loved one. Discussing films like Memento, Inception, and Shutter Island alongside the TV series Mr. Robot, among others, Rosalind Sibielski highlights how the construction of alternate realities allows the protagonists to work through bereavement and past trauma. Sibielski also argues that, as part of this process, the protagonists not only find themselves questioning their memories and what they believe to be true about their identities, but they are also forced to reevaluate who they are as men and the way that they define their manhood. Finally, Grief, Madness, and Crises of Masculinity in Mind-Game Films examines these stories of intersecting crises of reality and crises of masculinity within the context of millennial culture wars in the US over the way that manhood is, can be, or should be enacted.