What Is A Headlong
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Headlong
An unlikely con man wagers wife, wealth, and sanity in pursuit of an elusive Old Master. Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his art-historian wife are asked to assess three dusty paintings blocking the draught from the chimney. But hiding beneath the soot is nothing less-Martin believes-than a lost work by Bruegel. So begins a hilarious trail of lies and concealments, desperate schemes and soaring hopes as Martin, betting all that he owns and much that he doesn't, embarks on a quest to prove his hunch, win his wife over, and separate the painting from its owner. In Headlong, Michael Frayn, "the master of what is seriously funny" (Anthony Burgess), offers a procession of superbly realized characters, from the country squire gone to seed to his giddy, oversexed young wife. All are burdened by human muddle and human cravings; all are searching for a moral compass as they grapple with greed, folly, and desire. And at the heart of the clamor is Breugel's vision, its dark tones warning of the real risks of temptation and obsession. With this new novel, Michael Frayn has given us entertainment of the highest order. Supremely wise and wickedly funny, Headlong elevates Frayn into the front rank of contemporary novelists.
What is a Woman to Do?
This anthology contributes to a scholarly understanding of the aesthetics and economics of female artistic labour in the Victorian period. It maps out the evolution of the Woman Question in a number of areas, including the status and suitability of artistic professions for women, their engagement with new forms of work and their changing relationship to the public sphere. The wealth of material gathered here - from autobiographies, conduct manuals, diaries, periodical articles, prefaces and travelogues - traces the extensive debate on women's art, feminism and economics from the 1830s to the 1890s. Combining for the first time nineteenth-century criticism on literature and the visual arts, performance and craftsmanship, the selected material reveals the different ideological positions surrounding the transition of women from idleness to serious occupation. The distinctive primary sources explore the impact of artistic labour upon perceptions of feminine sensibility and aesthetics, the conflicting views of women towards the pragmatics of their own creative labour as they encompassed vocations, trades and professions, and the complex relationship between paid labour and female fame and notoriety.
What is a City?
Author: Philip E. Steinberg
language: en
Publisher: University of Georgia Press
Release Date: 2008-01-01
The devastation brought upon New Orleans by Hurricane Katrina and the subsequent levee system failure has forced urban theorists to revisit the fundamental question of urban geography and planning: What is a city? Is it a place of memory embedded in architecture, a location in regional and global networks, or an arena wherein communities form and reproduce themselves? Planners, architects, policymakers, and geographers from across the political spectrum have weighed in on how best to respond to the destruction wrought by Hurricane Katrina. The thirteen contributors to What Is a City? are a diverse group from the disciplines of anthropology, architecture, geography, philosophy, planning, public policy studies, and sociology, as well as community organizing. They believe that these conversations about the fate of New Orleans are animated by assumptions and beliefs about the function of cities in general. They unpack post-Katrina discourse, examining what expert and public responses tell us about current attitudes not just toward New Orleans, but toward cities. As volume coeditor Phil Steinberg points out in his introduction, “Even before the floodwaters had subsided . . . scholars and planners were beginning to reflect on Hurricane Katrina and its disastrous aftermath, and they were beginning to ask bigger questions with implications for cities as a whole.” The experience of catastrophe forces us to reconsider not only the material but the abstract and virtual qualities of cities. It requires us to revisit how we think about, plan for, and live in them.