What Does The Inside Of A Person Look Like
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New People Of The Flat Earth
A man chases after a mysterious metal object that may not even exist — and his journey leads him on to ever-greater levels of madness, dissociation, and metaphysical conundrums. After ten years in a Zen monastery, Proteus knows it's time to leave. A troubled, solitary man, he knows what he seeks is not to be found sitting in meditation. His problem is that, during his time at the monastery, he's discovered something strange inside his mind: the ability to connect with a mysterious, silent, metallic spherical object he calls Mosquito. His connection to this possibly extraterrestrial object, which seems to dwell on an existential plane of its own, gives Proteus a flimsy sense of purpose. So when Mosquito abruptly disappears one day, Proteus can't bear the loss, and he sets off in pursuit of answers. Thus starts a surreal, philosophically maddening quest for meaning. Chasing the elusive Mosquito leads Proteus to in-between worlds where things do not quite hold together, and where the living and the dead must learn to live in and out of the boundaries of time. The further he gets from sanity, the closer he comes to something that may turn out to be wisdom. Playful but unapologetically challenging, New People of the Flat Earth is a breathtakingly original novel that defies categorisation or summary.
Sesame Street
Author: Helle Strandgaard Jensen
language: en
Publisher: Oxford University Press
Release Date: 2023
In Sesame Street: A Transnational History, author Helle Strandgaard Jensen tells the story of how the American television show became a global brand. Jensen argues that because the show's domestic production was not financially viable from the beginning, Sesame Street became a commodity that its producers assertively marketed all over the world. Sesame Street: A Transnational History combines archival research from seven countries, bolstering an insightful analysis of how local reception and rejection of the show related to the global sales strategies and American ideals it was built upon. Contrary to the producers' oft-publicized claims of Sesame Street's universality, the show was heavily shaped by a fixed set of assumptions about childhood, education, and commercial entertainment. This made sales difficult as Sesame Street met both skepticism and direct hostility from foreign television producers who did not share these ideals. Drawing on insights from new histories about childhood, education, and transnational media, the book lays bare a cultural clash of international proportions rooted in divergent approaches to children's television. In doing so, it provides a reflective backdrop to the many ongoing debates about children's media. In contrasting the positive receptions and renunciations of Sesame Street, Jensen demonstrates that it was only after a substantial rethinking of Sesame Street's aims and business model that this program ended up on numerous broadcasting schedules by the mid-1970s. Along the way, this rethinking and the constant negotiations with potential international buyers created and shaped the business and corporate brand that paved the way for the Sesame Street we know today.
Persons, Roles, and Minds
Focusing on two late-Ming or early-Qing plays central to the Chinese canon (Peony Pavilion and Peach Blossom Fan), this study explores crucial questions concerning personal identity.