What Does It Mean To Come Across A Fox

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Finding the Fox

Author: Andreas Tjernshaugen
language: en
Publisher: Greystone Books Ltd
Release Date: 2024-03-26
An intimate portrait of a mysterious and misunderstood animal. “Tjernshaugen writes in an easy-to-read style that is full of insight and understanding. I felt like I was sitting beside him as he described fox behavior.” —Rick McIntyre, Yellowstone wolf researcher and author of The Rise of Wolf 8 If you look into the fox's amber eyes, you'll notice vertical pupils. With such feline eyes in a slender canine body, the fox is a relative of the dog and the wolf, but it hunts alone, like a cat. The fox lives close to people, both in the city and in the country, but it’s wild, shy, and secretive. Taking long walks in the early morning, equipped with wildlife cameras—and sometimes with his dog Topsy by his side—Andreas Tjernshaugen journeys into the forest hoping to encounter the foxes living just outside his small town in Norway. He knows the telltale signs of how to find a fox den, how to identify a pawprint in the snow, and the smells that foxes leave behind. He meets a vixen he named Blackback, and he watches carefully as she and other foxes hunt, play, and live together as families. Throughout this captivating book, Tjernshaugen investigates the fox’s place in our own cultural history—such as Reynard the Fox, the Scandinavian inspiration for Disney’s Robin Hood, and the fables of Aesop, which depict foxes as sly and cunning, a reputation that may not be fully earned, Tjernshaugen argues. What is true is “the fox is wilder than other wildlife…and largely survives in spite of our plans and regulations, like an outlaw, so I see it as a symbol of freedom and independence.”
Objects of Metaphor

Objects of Metaphor contains a philosophical account of the phenomenon of metaphor radically different from those currently on offer. Yet for all that it is different, the underlying rationale of the account is genuinely ecumenical. If one adopts its perspective, one should be able to see how substantially correct many other accounts are, whilst at the same time seeing why they are not in the end completely correct. The book opens with a transparent classification of types of account, and concludes with detailed discussions of three important recent contributions to the subject. The origins of the account lie in our conception of predication. Unreflectively thought of as a task accomplished by words, it is argued that predication, or something very much like it, can also be accomplished by objects. So understood, predication becomes the genuinely equal partner of reference - a function no one doubts can be as easily accomplished by objects as by words - and, liberated in this way, predication becomes one central element in the account of metaphor. The other element is the move from language to objects which, adapting an idea of Quine's, is thought of as semantic descent. Whilst Samuel Guttenplan's account allows us to see other accounts in a new light, its main importance lies in what it tells us about metaphor itself. Powerful and flexible enough to cope with the syntactic complexity typical of genuine metaphor, it offers novel conceptions of both the relationship between simile and metaphor and the notion of dead metaphor. Additionally, it allows us to see why metaphor is a robust theoretic kind, related to certain other tropes, but not to be confused with tropes generally, or with the figurative and non-literal. Metaphor has often been thought merely an ornament to language. Whilst acknowledging the truth in this thought, Guttenplan shows the fundamental importance of metaphor to language. Rather than being a specialist topic in philosophy and related disciplines, he thus suggests that the study of metaphor is central to the study of language.
My Soul to Take

A chilling crime novel from the Queen of Icelandic crime and author of the highly-acclaimed LAST RITUALS. If I die before I wake . . . A grisly murder is committed at a health resort situated in a recently renovated farmhouse, which turns out to be notorious for being haunted. Attorney Thora Gudmundsdottir is called upon by the owner of the resort - the prime suspect in the case - to represent him. Her investigations uncover some very disturbing occurrences at the farm decades earlier - things that have never before seen the light of day . . . MY SOUL TO TAKE is a chilling, dark and witty crime novel, and a welcome return for Thora, the heroine of the highly-acclaimed LAST RITUALS.