Watching While Black Rebooted
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Watching While Black Rebooted!
Author: Beretta E. Smith-Shomade
language: en
Publisher: Rutgers University Press
Release Date: 2023-11-10
Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.
Watching While Black Rebooted!
Author: Beretta E. Smith-Shomade
language: en
Publisher: Rutgers University Press
Release Date: 2023-11-10
Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means within an expanded U.S. televisual landscape. In this edition, media scholars return to television and digital spaces (those spaces relying on television structure) to think anew about what engages and captures Black audiences and users and why it matters.
Producing Precarity
The hidden cost of TV production for communities of color Producing Precarity is a long-overdue examination of the television industry’s practice of “offshoring” production to impoverished sites within the US. The author, Curtis Marez, focuses on state efforts to attract film and TV producers to poor places with tax incentives, discounted public lands, and subsidized infrastructures. He argues that these efforts result in the redistribution of wealth from poor people of color, Indigenous people, and other taxpayers to Los Angeles-based media makers, while also diverting money that could be used for education and health care to the wealthy. The popular series produced in these places, such as Breaking Bad, The Watchmen, Lovecraft County, The Walking Dead, and Vida, are praised by critics and awards organizations and highlighted by streaming services for challenging genre, casting, and narrative conventions. However, many of these shows rely on racialized and gendered low-wage labor for production, and diversity, equity, and inclusion representations can sometimes perpetuate repression, such as depicting police as diversity champions. Producing Precarity examines how contemporary streaming shows from these areas promote racial inequality in ideology and content, as well as materially through their local production methods, and perceptually through streaming distribution modes that discourage viewers from understanding how TV is made. Marez also provides examples of local resistance, including movements against a police training center and a film studio in Atlanta, as well as anti-gentrification movements in Latinx neighborhoods of LA.