Warren

Robert Penn Warren's Modernist Spirituality

Beginning with an overview of Warren's career as a Fugitive at Vanderbilt and then, later, as a formidable New Critic, Koppelman argues that Warren's regard for the spiritual aesthetic of both literary language and form can be traced to his early study of poetic metaphor. To illustrate Warren's mature vision, Koppelman centers his study on two novels and two poetry collections: All the King's Men, A Place to Come To, Promises: Poems 1954-1956, and Now and Then: Poems 1976-1978. He also examines the critical studies that concentrate on Warren's vision of time, history, and spiritual fulfillment, as well as those essays by Warren that complement his poems and novels in such a way as to elicit the reader's participation in the redemption of their narrators.

Mrs. Warren's Profession

Middle-aged Mrs. Warren is a madam, proprietress of a string of successful brothels. Her daughter, Vivie, is a modern young woman, but not so modern that she's not shocked to discover the source of her mother's wealth. The clash of these two strong-willed but culturally constrained Victorian women is the spark that ignites the ironic wit of one of George Bernard Shaw's greatest plays, a withering critique of male domination, sexual hypocrisy, and societal convention. Initially banned after its 1893 publication with its startling frankness, Mrs. Warren's Profession remains a powerful work of progressive theater. Irish playwright GEORGE BERNARD SHAW (1856-1950) won the Nobel Prize in Literature in 1925 and an Academy Award for Adapted Screenplay in 1938, the only person to achieve both honors. Among his many renowned plays are Arms and the Man (1894), Candida (1894), Man and Superman (1903), Major Barbara (1905), and Pygmalion (1913).

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