Volume Two Soft Machine
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Soft Machine
Author: Scott Meze
language: en
Publisher: Sonicbond Publishing Ltd
Release Date: 2025-06-23
Soft Machine are perceived as cold and forbidding. At their peak in the 1970s, they purposefully raised the hackles of pop journalists, the musical establishment and even their own fans. Their music was designed to exclude all but the most devoted. Their line-up constantly churned, divesting themselves of every player that tried to make a human connection. Instead of the community of live performance, they favoured an abusive blast of ferocious noise. All of this was true only for a short period of their career and is certainly not the case for more recent incarnations. If the music is given a chance, an entirely different band emerges, one that is sly, spry, tuneful, trippy and surprisingly welcoming, merging a glorious melange of prog rock, jazz fusion and much more. This book guides you through the maze of the band's works, revealing why every album is worthy of re-evaluation, why they're so influential and why you should rush to assimilate as many of them as you can. It covers the live and studio material released by the parent group, all related projects with a 'Soft' in their name and the essential extracurricular activities of members from 1960 to the present day. Scott Meze is a psychedelic music obsessive born in Britain but based in Tokyo, the music connoisseur's capital of the world. Soft Machine have been one of the abiding loves of his life ever since a friend played him a tape of Triple Echo while careening his thoroughly chemicalised brain through the hills of South Somerset on the back of a Moto Guzzi 850 Le Mans. You don't ignore an education like that.
Different Every Time
Robert Wyatt started out as the drummer and singer for Soft Machine, who shared a residency at Middle Earth with Pink Floyd and toured America with the Jimi Hendrix Experience. He brought a jazz mindset to the 1960’s rock scene, having honed his drumming skills in a shed at the end of Robert Graves’ garden in Mallorica, Spain. Wyatt's life took an abrupt turn in 1973, when he fell from a fourth-floor window at a party and was paralyzed from the waist down. He reinvented himself as a singer and composer with the extraordinary album Rock Bottom, which he followed with an idiosyncratic string of records that uniquely combine the personal and political. Along the way, Robert has worked with the likes of Brian Eno, Bjork, Jerry Dammers, Charlie Haden, David Gilmour, Paul Weller and Hot Chip. Marcus O’Dair has talked to all of them—indeed anyone who has shaped, or been shaped by Wyatt over five decades. Different Every Time is the first biography of Robert Wyatt, and it was written with his full participation. It includes illustrations by Alfreda Benge and photographs from Robert’s personal archive.
The Canterbury Sound in Popular Music
Author: Asya Draganova
language: en
Publisher: Emerald Group Publishing
Release Date: 2021-02-19
The term 'Canterbury sound' emerged in the late 60s and early 70s to refer to a signature style within psychedelic and progressive rock. Canterbury Sound in Popular Music:Scene, Identity and Myth explores Canterbury as a metaphor and reality, a symbolic space of music inspiration which has produced its distinctive 'sound'.