Vlado Kalember
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Rethinking Serbian-Albanian Relations
Identifying and explaining common views, ideas and traditions, this volume challenges the concept of Serbian-Albanian hostility by reinvestigating recent and historical events in the region. The contributors put forward critically oriented initiatives and alternatives to shed light on a range of relations and perspectives. The central aim of the book is to ‘figure out’ the problematic relations between Serbs and Albanians – that is, to comprehend its origins and the actors involved, and to find ways to resolve and deal with this enmity. Treating the hostility as a construct of a long-running discourse about the Serbian or Albanian ‘Other’, scholars and intellectuals from Serbia, Kosovo and Albania examine the origins, channels, agents and mediums of this discourse from the 18th century to the present. Tracing the roots of the two ethnic groups' political divisions, contemporary practices and actions allows the contributors to reconsider mutually held negative perceptions and identify elements of a common, shared history. Examples of past and current cooperation are used to offer a critical analysis of all three societies. This interdisciplinary publication brings together historiographical, literary, sociological, political, anthropological and philosophical analyses and enquiries and will be of interest to researchers in the fields of sociology, politics, cultural studies, history or anthropology; and to academics working in Slavonic and East European studies.
Contemporary Popular Music Studies
Author: Marija Dumnić Vilotijević
language: en
Publisher: Springer
Release Date: 2019-02-20
This is the second volume in the series that documents the 19th edition of the biennial conference of the International Association for the Study of Popular Music. The volume contains contributions on the variety of musical genres from all over the world. Authors engage with the role of popular music in contemporary music education, as well as definitions and conceptualizations of the notion of ‘popular’ in different contexts. Other issues discussed in this volume include methodologies, the structure and interpretations of popular music scenes, genres and repertoires, approaches to education in this area, popular music studies outside the Anglophone world, as well as examinations of discursive and technological aspects of numerous popular music phenomena.
Made in Yugoslavia
Made in Yugoslavia: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of popular music in Yugoslavia and the post-Yugoslav region across the twentieth and twenty-first centuries. The book consists of chapters by leading scholars and covers the major figures, styles, and social contexts of music in the region that for most of the past century was known as Yugoslavia. Exploring the role played by music in Yugoslav art, culture, social movements, and discourses of statehood, this book offers a gateway into scholarly explanation of a key region in Eastern Europe. An introduction provides an overview and background on popular music in Yugoslavia, followed by chapters in four thematic sections: Zabavna-Pop; Rock, Punk, and New Wave; Narodna (Folk) and Neofolk Music; and the Politics of Popular Music Under Socialism.