Vittorio Storaro


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Transnational Cinematography Studies


Transnational Cinematography Studies

Author: Roberto Schaefer

language: en

Publisher: Bloomsbury Publishing USA

Release Date: 2016-12-27


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Transnational Cinematography Studies introduces new perspectives to the discipline of film and media studies. First, this volume focuses on a crucial yet largely unexplored area in film and media studies: the substantial communication between critical studies of cinema and film production practices. This book integrates theories and practices of cinematographic technology. Secondly, Transnational Cinematography Studies expands the scope of film and media studies into the arena of transnationalism. Cinema is now discussed in terms of globalization of audio-visual cultures, with regard to such issues as Hollywood film studios’ so-called “runaway productions” and multi-national co-productions; Hollywood remakes of Asian horror films or Hong-Kong martial arts films; and the growing significance of international film festivals. However, this volume proposes that globalization is not in itself new in the history of cinema, and that cinema has always been at the forefront of transnational culture from the beginning of its history.

Film Voices


Film Voices

Author: Gerald Duchovnay

language: en

Publisher: SUNY Press

Release Date: 2004-06-17


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Interviews with prominent filmmakers, actors, and others on the art, craft, and business of moviemaking.

Film Lighting


Film Lighting

Author: Kris Malkiewicz

language: en

Publisher: Simon and Schuster

Release Date: 1986-08-11


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Newly revised and expanded, Film Lighting is an indispensable sourcebook for the aspiring and practicing cinematographer, based on extensive interviews with leading cinematographers and gaffers in the film industry Film lighting is a living, dynamic art influenced by new technologies and the individual styles of leading cinematographers. Reporting on the latest innovations and showcasing in-depth interviews with industry experts, Film Lighting provides an inside look at how cinematographers and film directors establish the visual concept of the film and use the lighting to help tell the story. Using firsthand material from experts such as Oscar-winning cinematographers Dion Beebe, Russell Carpenter, Robert Elswit, Mauro Fiore, Janusz Kaminski, Wally Pfister, Haskell Wexler, and Vilmos Zsigmond, this revised and expanded edition provides an invaluable opportunity to learn from the industry's leaders.