Vita Mathematica
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Vita Mathematica
Author: Ronald Calinger
language: en
Publisher: Cambridge University Press
Release Date: 1996
Enables teachers to learn the history of mathematics and then incorporate it in undergraduate teaching.
Mathematician for All Seasons
This book presents, in his own words, the life of Hugo Steinhaus (1887–1972), noted Polish mathematician of Jewish background, educator, and mathematical popularizer. A student of Hilbert, a pioneer of the foundations of probability and game theory, and a contributor to the development of functional analysis, he was one of those instrumental to the extraordinary flowering of Polish mathematics before and after World War I. In particular, it was he who “discovered” the great Stefan Banach. Exhibiting his great integrity and wit, Steinhaus’s personal story of the turbulent times he survived – including two world wars and life postwar under the Soviet heel – cannot but be of consuming interest. His account of the years spent evading Nazi terror is especially moving. The steadfast honesty and natural dignity he maintained while pursuing a life of demanding scientific and intellectual enquiry in the face of encroaching calamity and chaos show him to be truly a mathematician for all seasons. The present work will be of great interest not only to mathematicians wanting to learn some of the details of the mathematical blossoming that occurred in Poland in the first half of the 20th century, but also to anyone wishing to read a first-hand account of the history of those unquiet times in Europe – and indeed world-wide – by someone of uncommon intelligence and forthrightness situated near an eye of the storm.
Picturing Machines 1400–1700
How technical drawings shaped early engineering practice. Technical drawings by the architects and engineers of the Renaissance made use of a range of new methods of graphic representation. These drawings—among them Leonardo da Vinci's famous drawings of mechanical devices—have long been studied for their aesthetic qualities and technological ingenuity, but their significance for the architects and engineers themselves is seldom considered. The essays in Picturing Machines 1400–1700 take this alternate perspective and look at how drawing shaped the practice of early modern engineering. They do so through detailed investigations of specific images, looking at over 100 that range from sketches to perspective views to thoroughly constructed projections. In early modern engineering practice, drawings were not merely visualizations of ideas but acted as models that shaped ideas. Picturing Machines establishes basic categories for the origins, purposes, functions, and contexts of early modern engineering illustrations, then treats a series of topics that not only focus on the way drawings became an indispensable means of engineering but also reflect the main stages in their historical development. The authors examine the social interaction conveyed by early machine images and their function as communication between practitioners; the knowledge either conveyed or presupposed by technical drawings, as seen in those of Giorgio Martini and Leonardo; drawings that required familiarity with geometry or geometric optics, including the development of architectural plans; and technical illustrations that bridged the gap between practical and theoretical mechanics.