Visualizing And Exhibiting Jewish Space And History
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Visualizing and Exhibiting Jewish Space and History
Author: Richard I. Cohen
language: en
Publisher: Oxford University Press
Release Date: 2012-12-20
Visualizing and Exhibiting Jewish Space and History includes a series of essays in its symposium section that treat the dramatic development of the visual arts in Jewish life from the beginning of the 20th century, focusing on the proliferation of Jewish museums after the Holocaust.
Exhibiting the Nazi Past
This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.
Space and Spatiality in Modern German-Jewish History
What makes a space Jewish? This wide-ranging volume revisits literal as well as metaphorical spaces in modern German history to examine the ways in which Jewishness has been attributed to them both within and outside of Jewish communities, and what the implications have been across different eras and social contexts. Working from an expansive concept of “the spatial,” these contributions look not only at physical sites but at professional, political, institutional, and imaginative realms, as well as historical Jewish experiences of spacelessness. Together, they encompass spaces as varied as early modern print shops and Weimar cinema, always pointing to the complex intertwining of German and Jewish identity.