Visual Language For Designers


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Visual Language for Designers


Visual Language for Designers

Author: Connie Malamed

language: en

Publisher: Rockport Publishers

Release Date: 2009-06-01


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Within every picture is a hidden language that conveys a message, whether it is intended or not. This language is based on the ways people perceive and process visual information. By understanding visual language as the interface between a graphic and a viewer, designers and illustrators can learn to inform with accuracy and power. In a time of unprecedented competition for audience attention and with an increasing demand for complex graphics, Visual Language for Designers explains how to achieve quick and effective communications. This book presents ways to design for the strengths of our innate mental capacities and to compensate for our cognitive limitations. Visual Language for Designers includes: —How to organize graphics for quick perception —How to direct the eyes to essential information —How to use visual shorthand for efficient communication —How to make abstract ideas concrete —How to best express visual complexity —How to charge a graphic with energy and emotion

Handbook of Visual Languages for Instructional Design: Theories and Practices


Handbook of Visual Languages for Instructional Design: Theories and Practices

Author: Botturi, Luca

language: en

Publisher: IGI Global

Release Date: 2007-12-31


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Presents languages and notation systems of ID and the integration of these technologies in education.

The Language of Design


The Language of Design

Author: Andy An-Si Dong

language: en

Publisher: Springer Science & Business Media

Release Date: 2008-11-07


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“The Language of Design” articulates the theory that there is a language of design. Drawing upon insights from computational language processing, the language of design is modeled computationally through latent semantic analysis (LSA), lexical chain analysis (LCA), and sentiment analysis (SA). The statistical co-occurrence of semantics (LSA), semantic relations (LCA), and semantic modifiers (SA) in design text is used to illustrate how the reality producing effect of language is itself an enactment of design, allowing a new understanding of the connections between creative behaviors. The computation of the language of design makes it possible to make direct measurements of creative behaviors which are distributed across social spaces and mediated through language. The book demonstrates how machine understanding of design texts based on computation over the language of design yields practical applications for design management.