Vibration And Acoustics Measurement And Signal Analysis
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Vibration And Acoustics
Vibrations and Acoustics: Measurement and Signal Analysis is the culmination of the author's more than two decades of teaching and research experience in these areas. It will serve as a source of reference for postgraduate students, researchers, academicians, practicing engineers and professionals in the field of vibration and acoustics.
Vibration, Acoustics and Strain Measurement
This textbook provides a comprehensive description of a variety of vibration and acoustic pickups and exciters, as well as strain gauge transducers. It is an exhaustive manual for setting up basic and involved experiments in the areas of vibration, acoustics and strain measurement (using strain gauges only). It further serves as a reference to conduct experiments of a pedagogical nature in these areas. It covers the various theoretical aspects of experimental test rigs, as well as a description and choice of transducers/equipment. The fundamentals of signal processing theory, including the basics of random signals, have been included to enable the user to make a proper choice of settings on an analyser or measuring equipment. Also added is a description of modal analysis theory and related parameter extraction techniques. All chapters are provided with conceptual questions which will provoke the reader to think and gain a better understanding of the subjects. The textbook illustrates around fifty experiments in the areas of vibration, acoustics and strain measurements. Given the contents, this textbook is useful for undergraduate and postgraduate students in the areas of mechanical engineering, with applications that range from civil structures, architectural and environmental systems, and all forms of mechanical systems including transport vehicles and aircraft.
Sensing Sound
Author: Nina Sun Eidsheim
language: en
Publisher: Duke University Press
Release Date: 2015-11-19
In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.