Vampire Child
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The Child in Post-Apocalyptic Cinema
Author: Debbie Olson
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2015-03-06
The child in many post-apocalyptic films occupies a unique space within the narrative, a space that oscillates between death and destruction, faith and hope. The Child in Post-Apocalyptic Cinema interrogates notions of the child as a symbol of futurity and also loss. By exploring the ways children function discursively within a dystopian framework we may better understand how and why traditional notions of childhood are repeatedly tethered to sites of adult conflict and disaster, a connection that often functions to reaffirm the “rightness” of past systems of social order. This collection features critical articles that explore the role of the child character in post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.
The Vampire's Photograph
Oliver’s life is no different from those of most middle school kids—except he sleeps in a coffin and drinks blood for breakfast Oliver Nocturne lives a pretty normal life—he deals with bullies, has an obnoxious older brother, and generally feels misunderstood. But being a vampire presents another host of problems, especially when he feels—he knows—he’s not quite like everyone else. When Emalie, a human girl with a troubled past, takes a picture of him, Oliver ignores the rules that forbid him from interacting with humans and agrees to show her the darkest secrets of the Seattle underworld. But their quest will uncover more than vampire mythology—they will learn the terrible truth about Oliver’s past and his purpose. And for Emalie, this knowledge could come at a fatal price.
Vampire Baby
Author: Kelly Bennett
language: en
Publisher: National Geographic Books
Release Date: 2013-07-09
When Tootie gets her first teeth, it’s clear to her big brother that she’s no ordinary baby. But how to convince Mom and Dad? It happens overnight: little sister Tootie goes from cuddly, ga-ga-googoo, I-want-my-ba-ba baby...vampire baby. Now she’s sinking her pointy fangs into everything — furniture, toys, and especially her big brother (“Youch, Tootie! No bite!” ). Mom insists that it’s just a phase, but Tootie’s brother knows better. Just look at her hairline! Or the fact that all her favorite foods are bloodred! With perfect comic timing, Kelly Bennett and Paul Meisel give a fresh slant to the new-baby story, proving that even monstrous little arrivals have a funny way of staking their siblings’ affections.