Utopian Circus
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Utopian Circus
Author: C. Sean Mcgee
language: en
Publisher: Createspace Independent Publishing Platform
Release Date: 2013-01-20
**Warning: This book contains graphic philosophy** Through the charred wreckage of one man's philosophy, an adventure into conscious delusion and dark dystopian fantasy begins as the survivors of The Nest find themselves on three paths where each will endeavor to rein their conscious minds to grasp the philosophy of existence and abate the shackles of conscious Famine as they march onwards towards New Utopia. On one path, Marcos, having woken naked and amnesic at the scorn of ancient women whose immortality derives from the wearing of young girl's faces like decorative dresses; is chased through a dense wilderness for the face that he wears whilst drifting in and out of conscious Famine, giving a glimpse into The City that was, one of obligation and Infant Industries. On the second path, in The Kingdom of the Hound, Ruff the dog is awoken to conscious debate, rationalizing and philosophizing with an ostentatious small Chihuahua called The Bitch Queen over the nature of unconditional love as he fights to save the lives of his human friends from being gamed by savage hounds and monolithic boars. While on a third path, The Woman will unravel, through conscious delusion, the true extent of her repressions and her loveless abandon as a young girl; Safrine, through childish rhyme, is challenged by a creepy old man into a game of coloured cubes to save her two companions from the effect of The Famine.
Utopia Limited
Author: Marianne DeKoven
language: en
Publisher: Duke University Press
Release Date: 2004-05-10
The end of the modern and the emergence of the postmodern in 1960s philosophy, literature, and popular culture.
The Utopia of Film
Author: Christopher Pavsek
language: en
Publisher: Columbia University Press
Release Date: 2013-01-29
The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).