Utopian Architecture
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Utopias and Architecture
Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work, and a consideration of the thoughts of a range of leading writers, Coleman offers the reader a unique perspective of idealism in architectural design. With unparalleled depth and focus of vision on the work of Le Corbusier, Louis I Kahn and Aldo van Eyck, this book persuasively challenges predominant assumptions in current architectural discourse, forging a new approach to the invention of welcoming built environments and transcending the limitations of both the postmodern and hyper-modern stance and orthodox modernist architecture.
Utopian Architecture Beyond the Concrete
Author: Christian Preidel
language: en
Publisher: transcript Verlag
Release Date: 2024-10-30
When the Bell Telephone Company built their new research facility in 1957, they did not opt for a functional box but for a cathedral of glass, steel, and concrete, set in a meticulously landscaped park. What can we learn from this striking corporate architecture through which architect Eero Saarinen expressed that man had mastered nature and would solve all future problems? What can churches learn, which have also built striking concrete structures throughout the 1960s – buildings whose roofs are now leaking and whose heating systems are no longer operational? Christian Preidel argues that building today is not a symphony in glass and concrete but a social endeavour where people (and material) come together.
Architecture and Utopia
Architecture and Utopia leads the reader beyond architectural form into a broader understanding of the relation of architecture to society and the architect to the workforce and the marketplace. Written from a neo-Marxist point of view by a prominent Italian architectural historian, Architecture and Utopia leads the reader beyond architectural form into a broader understanding of the relation of architecture to society and the architect to the workforce and the marketplace. It discusses the Garden Cities movement and the suburban developments it generated, the German-Russian architectural experiments of the 1920s, the place of the avant-garde in the plastic arts, and the uses and pitfalls of seismological approaches to architecture, and assesses the prospects of socialist alternatives.