Utopia Post Utopia
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Utopia Post-Utopia
Features the works of nine photographers and video artists on the cutting edge of the Cuban art scene.
Utopia Post Utopia
Author: Institute of Contemporary Art (Boston, Mass.)
language: en
Publisher: MIT Press (MA)
Release Date: 1988
Much of the art and art theory of the 1980s has addressed the question Abigail Solomon-Godeau asks in her essay for this book: whether "the art object can carve a place for itself outside the determinations of the already-written, the already-seen, the sign." "Utopia Post Utopia" takes up the debate on this issue which has crystallized around the theoretical opposition between nature and culture, or more specifically the analysis of a nature (human and otherwise) which is culturally produced."Utopia Post Utopia" approaches the nature-culture opposition from both the point of view of the lingering nostalgia for an essential nature, as well as the aggressive replacement of "reality" with simulations of both the natural and man-made environment. It documents two shows: a sculptural installation conceived by Robert Gober including work by himself, Meg Webster, and Richard Prince; and an exhibition of photography by James Welling, Oliver Wasow, Dorit Cypis, Lorna Simpson, Jeff Wall, and Larry Johnson.In addition to Abigail Solomon-Godeau's contribution, essays by Fredric Jameson, Alice Jardine, Eric Michaud, Elisabeth Sussman and David Joselit critically examine such issues as the problematic nature of utopian impulses in recent art (Jameson); the question of authenticity (Jardine); the shifting relationship between the represented and real worlds (Michaud); the phenomenon of collaboration and ensemble in recent art production (Sussman); and meaning of photographic serialization and superimposition (Joselit).Distributed for the Institute of Contemporary Art, Boston where Elisabeth Sussman is Chief Curator and David Joselit Curator.
Rethinking Democracy for Post-Utopian Worlds
This book is both a conceptualization and detailed analysis of the current crisis in which modern utopian categories of political institutions find themselves, as well as a reflection and clarification of the new dangers and opportunities facing post-utopian politics in-the-making. Met with those who believe that no more utopian political projects are possible, the post-utopian movement maintains a non-fantastic or illusory character of being able to apply new great discourses and radically democratic historical narratives, while respecting both the autonomy and emancipation of individuals as plurality and the socio-cultural differences of communities. With this purpose in mind, the book is divided into five thematically differentiated sections: the new utopian categories beyond modern epistemes; the possibility of liberal utopian democracies without neoliberalism; the opportunities of socialist empowerments and insurgencies; the necessity of thinking in the space between two ages; andthe urgency to create eco-political post-utopias.