Utopia Enternaiment Nandia
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THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
language: en
Publisher: All India Radio (AIR),New Delhi
Release Date: 1950-12-31
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 31-12-1950 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 49 VOLUME NUMBER: Vol. XVI. No.1. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 16-43 ARTICLE: 1. Why Census? 2. India, Indonesia and Malaya 3. Dining Etiquette 4. More's Utopia 5. Currency Fluctuations AUTHOR: 1. G. L. Mehta 2. Dr. S. K. Rau 3. John Spiers 4. Fredric B. Irvin 5. P. A. Gopalakrishnan KEYWORDS: 1. Census ,Economic status, Birth-rate, Death-rate, Population 2. Sri Vijaya, Java, Cambodia, Javadwipa, Sailendra, Saivism 3. Philosophical romance, European literature, Utopian literature, Humour, Christian humanist, Satire 4. Prices, Inflation, Depression, Imperial Legislative Council 5. Manners, Dinner party, Elegance, Handshake, Bow Document ID: INL-1950 (J-D) Vol-III (29)
Déjà Viewed
Author: Gohar Siddiqui
language: en
Publisher: State University of New York Press
Release Date: 2025-07-01
Situates the remake as one of the primary responses to Bollywood's globalization and corporatization. Focused on post-1990 Bollywood remakes of Hollywood films, Déjà Viewed tells a larger story of the rapidly changing Indian film industry in the wake of globalization and corporatization. It situates the remake as a gendered response to these changes, drawing on approaches from film theory, gender studies, and cultural studies. The book looks at films from a variety of genres and modes, including the Bollywood family film, romantic comedy, noir, and melodrama, and each film's close analysis is accompanied by attention to concerns related to remake theory, such as homage, anxiety of influence, defamiliarization, and pastiche. Seeking to historicize how gender and genres become translated and transformed in the Bollywood remake, the book contributes to transnational understandings of gender and genre as media texts move across various borders—geographic, cinematic, economic, and aesthetic.
Bollywood's India
Bollywood movies have long been known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But these exciting and often amusing films rarely reflect the reality of life on the Indian subcontinent. Exploring the nature of mainstream Hindi cinema, the strikingly illustrated Bollywood’s Indiaexamines its nonrealistic depictions of everyday life in India and what it reveals about Indian society. Showing how escapism and entertainment function in Bollywood cinema, Rachel Dwyer argues that Hindi cinema’s interpretations of India over the last two decades are a reliable guide to understanding the nation’s changing hopes and dreams. She looks at the ways Bollywood has imagined and portrayed the unity and diversity of the country—what it believes and feels, as well as life at home and in public. Using Dwyer’s two decades spent working with filmmakers and discussing movies with critics and moviegoers,Bollywood’s India is an illuminating look at Hindi cinema.