Used To Love Her Lyrics
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How I Learned To Love Her
Author: Shubham Joshi
language: en
Publisher: OrangeBooks Publication
Release Date: 2021-01-16
We all have got our journeys in life; some lead to destinations; others lead to a new beginning again, but everything ends up teaching something. Love is indeed very precious. In the walk of our lives, we come across many strangers with whom we share many moments. These are undoubtedly the one whom we love, and it becomes so arduous to understand when love happens by chance................... It feels so good to talk about a school love story, a story without a relation, where the two strangers, strangers even when they were well known to each other and continued to be a stranger, loved each other but believed in their Destiny. Shaurya, a nerd boy who just opposed his name's meaning, lacked the courage and courage to speak his heart. Time is his deadliest fear. Abhilasha, a lovely girl who was synonymous with the meaning of her name, was loved by all; happiness is her shadow... Both of them are busy accepting whatever is going on in their life, and their Destiny is still unjustified, which is desperate with many surprises. Waiting for years, the story is all about the unexpected that happened in their life. And finally, one question which strikes corner to corner in their heart and mind, "WHAT MATTERS"....
The Complete Lyrics of Alan Jay Lerner
Author: Dominic McHugh
language: en
Publisher: Oxford University Press
Release Date: 2018-02-01
Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.
Check It While I Wreck It
Author: Gwendolyn D. Pough
language: en
Publisher: Northeastern University Press
Release Date: 2015-12-01
Hip-hop culture began in the early 1970s as the creative and activist expressions -- graffiti writing, dee-jaying, break dancing, and rap music -- of black and Latino youth in the depressed South Bronx, and the movement has since grown into a worldwide cultural phenomenon that permeates almost every aspect of society, from speech to dress. But although hip-hop has been assimilated and exploited in the mainstream, young black women who came of age during the hip-hop era are still fighting for equality. In this provocative study, Gwendolyn D. Pough explores the complex relationship between black women, hip-hop, and feminism. Examining a wide range of genres, including rap music, novels, spoken word poetry, hip-hop cinema, and hip-hop soul music, she traces the rhetoric of black women "bringing wreck." Pough demonstrates how influential women rappers such as Queen Latifah, Missy Elliot, and Lil' Kim are building on the legacy of earlier generations of women -- from Sojourner Truth to sisters of the black power and civil rights movements -- to disrupt and break into the dominant patriarchal public sphere. She discusses the ways in which today's young black women struggle against the stereotypical language of the past ("castrating black mother," "mammy," "sapphire") and the present ("bitch," "ho," "chickenhead"), and shows how rap provides an avenue to tell their own life stories, to construct their identities, and to dismantle historical and contemporary negative representations of black womanhood. Pough also looks at the ongoing public dialogue between male and female rappers about love and relationships, explaining how the denigrating rhetoric used by men has been appropriated by black women rappers as a means to empowerment in their own lyrics. The author concludes with a discussion of the pedagogical implications of rap music as well as of third wave and black feminism. This fresh and thought-provoking perspective on the complexities of hip-hop urges young black women to harness the energy, vitality, and activist roots of hip-hop culture and rap music to claim a public voice for themselves and to "bring wreck" on sexism and misogyny in mainstream society.