Upside Down Apocalypse
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Upside-Down Apocalypse
A peacemaker’s guide to the book of Revelation The book of Revelation—which deals on a cosmic scale with good and evil, politics and empire, community and eternity—has intrigued and frustrated readers since it was written. How do we make sense of John’s prophetic vision of cosmic war in light the nonviolence Jesus embodies in the gospels? What does it mean to tell us about Jesus, our world, and the future of all things? As End Times conspiracy theories surge, it’s more important than ever that we read the final book of the Bible without distorting the true message of Jesus. In Upside-Down Apocalypse, author Jeremy Duncan draws on biblical scholarship and nonviolent theology to guide readers through the book of Revelation, understanding the vision of John in the light of the Jesus we know through the Gospels—the full revelation of the Divine. Along the way, readers will discover what the writer imagines as he weaves this profound revelation of non-violent triumph and see with fresh eyes how the Prince of Peace turns violence on its head once and for all.
World Upside Down
Author: C. Kavin Rowe
language: en
Publisher: Oxford University Press
Release Date: 2011-02-10
No longer can Acts be seen as a simple apologia that articulates Christianity's harmlessness vis-à-vis Rome. Rather, in its attempt to form communities that witness to God's apocalypse, author Kavin Rowe argues that Luke's second volume is a highly charged and theologically sophisticated political document. Luke aims at nothing less than the construction of a new culture - a total pattern of life - that inherently runs counter to the constitutive aspects of Graeco-Roman society.
The World Upside Down in 16th-Century French Literature and Visual Culture
In The World Upside Down in 16th Century French Literature and Visual Culture Vincent Robert-Nicoud offers an interdisciplinary account of the topos of the world upside down in early modern France. To call something ‘topsy-turvy’ in the sixteenth century is to label it as abnormal. The topos of the world upside down evokes a world in which everything is inside-out and out of bounds: fish live in trees, children rule over their parents, and rivers flow back to their source. The world upside down proves to be key in understanding how the social, political, and religious turmoil of sixteenth-century France was represented and conceptualised, and allows us to explore the dark side of the Renaissance by unpacking one of its most prevalent metaphors.