Unnamable
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The Unnamable
Author: H. P. Lovecraft
language: en
Publisher: Lindhardt og Ringhof
Release Date: 2021-02-24
When a writer named Carter meets his friend Manton in a cemetery, they are about to discuss prose writing and horror. Is there a good reason to leave some of the most horrifying things unnamable? Is that a good or bad thing for the reader? While the two of them are debating, they seem to forget that they are sitting in a cemetery – a place which lies between the two worlds... H.P. Lovecraft (1890–1937) was an American horror writer. His best known works include ‘The Call of Cthulhu’ and ‘the Mountains of Madness’. Most of his work was originally published in pulp magazines, and Lovecraft rose into fame only after his death at the age of 46. He has had a great influence in both horror and science fiction genres.
Unnamable
Charting its historical conditions and the expansive contexts of its emergence, the author challenges the notion of Asian American art as a site of reconciliation for marginalized artists to enter into the canon. Pressing critically on how the politics of visibility and recognition reduces artworks by Asian American artists to narrow parameters of categorization, this work reconceives Asian American art not as a subset of objects, but as a discursive medium that sets up the conditions for a politics to occur. By approaching Asian American art in this way, the author refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen than in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Inspired above all by their art practice, the author argues for an alternative approach to exhibition making and methods of reading that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that remains open-ended, challenging the assumptions that racialize artists within an "Asian American" context. In this book, the author insists that in order to reassess Asian American art beyond its place in art history, she suggests the possible need to let go not only of established viewing and curatorial practices, but even the category of Asian American art itself.
The Unnamable
The third of the three greatest novels by the era-defining Nobel laureate , reissued for a new generation. I can't go on, I'll go on. The Unnamable is a voice. Is it curled up inside an urn, on the point of being born, or is it about to die? Haunted by visitors, it weeps. The Unnamable sifts disjointed memories, grapples with the problem of existence and ultimately perpetuates itself through an endless stream of fragmented words. The Unnamable is the last of the three great novels Samuel Beckett produced during his 'frenzy of writing' in the late 1940s. The others are Molloy and Malone Dies.