Understanding Critical Theory Of I A Richards
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Understanding Critical Theory of I.A. Richards
Understanding Critical Theory of I.A. Richards focuses mainly on I. A. Richards 'English and American literary theory and criticism. College and university students of English literature in India and all over the world are in utmost need of a better understanding of Richards' The Principles of Literary Criticism and The Principles of Practical Criticism. Discussion and interpretations on different aspects of psychology, language and aesthetics will help one achieve a clear perception of the author and critic such as I. A. Richards.
Understanding I.A. Richards' Principles of Literary Criticism
Author: Kalika Ranjan Chatterjee
language: en
Publisher: Atlantic Publishers & Dist
Release Date: 2002
No Treatment Of Modern Criticism Is Possible Without Discussing I.A. Richards, Since In The Most Literal Sense His Influence Combined With That Of T.S. Eliot And F.R. Leavis Served To Create It. As One Of Seminal Thinkers Paving The Way For The Development Of New Criticism, Richards Made A Systematic Attempt To Formulate A Theory Of Poetry In Consonance With The Demands Of Modern Scientific Thought.The Present Book Stems From The Need To Offer An Objective Appraisal Of Richards Thought System In The Context Of The Evolution Of His Ideas In Foundations Of Aesthetics, The Meaning Of Meaning, Principles Of Literary Criticism, Science And Poetry (Later Reissued As Poetries And Sciences) And Practical Criticism. In The Context Of Wide-Spread Misinterpretations And Distortions Of Richards Point Of View, The Author Has Tried Throughout This Inter-Disciplinary Work To Allow Richards To Speak For Himself. While Unfolding The Subtle, Suggestive And Consistent Nature Of Richards Early Writings, The Book Studies His Criticism Of Modern Poets Like T.S. Eliot, W.B. Yeats, G.M. Hopkins, Thomas Hardy And D.H. Lawrence. The Chapter On Practical Criticism Throws Light On Richards Technique Of Evaluating Poems And Teaches The Art Of Appreciating Poetry.
Principles of literary criticism
Principles of Literary Criticism by I. A. Richards is a groundbreaking study that transformed twentieth‑century literary theory by linking the close reading of texts to psychology, semantics, and the reader’s emotional response. First published in 1924 and still a touchstone for students and scholars, this influential work explains how meaning is generated, how ambiguity enriches poetry, and why literature matters as a powerful instrument for ordering human experience. Richards introduces key concepts—such as “synesthetic rhythm,” “stock response,” and the “communication triangle”—that continue to shape modern criticism, making this volume essential for anyone who wants to understand how language, thought, and feeling interact on the page. Ivor Armstrong Richards (1893–1979), one of the most innovative critics of the modern era, taught at the University of Cambridge and later at Harvard, where he helped establish the discipline of English as a rigorous analytic science. A pioneer of New Criticism and practical criticism, Richards authored classic texts including The Meaning of Meaning (with C. K. Ogden) and Practical Criticism, and his theories influenced everything from literary pedagogy to the design of Basic English and early multimedia language labs. His interdisciplinary vision—combining linguistics, psychology, and education—continues to reverberate across literary studies, rhetoric, and communication theory. Blending lucid prose with trailblazing insight, Principles of Literary Criticism remains a vital resource for writers, teachers, and curious readers seeking to deepen their appreciation of poetry, fiction, and the interpretive act itself. Download this definitive edition on Google Play Books to explore Richards’s timeless guidance on how to read, analyze, and truly feel literature.