Understanding And Crafting The Mix


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Understanding and Crafting the Mix


Understanding and Crafting the Mix

Author: William Moylan

language: en

Publisher: CRC Press

Release Date: 2012-07-26


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Understanding and Crafting the Mix gives you clear and systematic methods for identifying, evaluating, and shaping the artistic elements in music and audio recording. The exercises throughout help you to develop critical listening and evaluating skills and gain greater control over the quality of your recordings. William Moylan takes an inside look into a range of popular music, including recordings by The Beatles, offering you insights into making meaningful sound judgements during recording. Sample production sequences and descriptions of the recordist's roles as composer, conductor and performer provides you with a clear view of the entire recording process. The foreword has graciously been provided by industry legend Rupert Neve. Exercises, reference materials, examples of mixes and sound qualities, and tracks and instructions for setting up and evaluating playback systems were available for this out of print edition on a CD which is no longer available. The resources can be found on the companion website for the 3rd edition at http://www.routledgetextbooks.com/textbooks/9780415842815/ .

Art of Recording


Art of Recording

Author: William Moylan

language: en

Publisher: Springer

Release Date: 1992-01-09


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Relates audio technology to artistic aspects of audio recording. Features advanced techniques for capturing sound sources, shaping performance, and analyzing final products.

Mixing with Impact


Mixing with Impact

Author: Wessel Oltheten

language: en

Publisher: Taylor & Francis

Release Date: 2018-03-22


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In Mixing with Impact: Learning to Make Musical Choices, Wessel Oltheten discusses the creative and technical concepts behind making a mix. Whether you’re a dance producer in your home studio, a live mixer in a club, or an engineer in a big studio, the mindset is largely the same. The same goes for the questions you run into: where do you start? How do you deal with a context in which all the different parts affect each other? How do you avoid getting lost in technique? How do you direct your audience’s attention? Why doesn’t your mix sound as good as someone else’s? How do you maintain your objectivity when you hear the same song a hundred times? How do your speakers affect your perception? What’s the difference between one compressor and another? Following a clear structure, this book covers these and many other questions, bringing you closer and closer to answering the most important question of all: how do you tell a story with sound?