Under The Clock
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Under the Clock
This is the real story of the beginnings of the Mafia in the United States. It tells for the first time what actually happened as the control of the rackets - extortion, protection, carting and hauling, the cement industry, beer and liquor distributorships - and of the New York waterfront was wrested away from the Irish racketeers by the gang of Italian immigrants who called themselves."The Black Hand" and were under the total domination of Battista Balsamo, the original "Godfather". He appeared an honorable, reasonable, and just man. He was the vicious head of the Mob. Filled with rare photographs and documents, peopled with an extraordinary gallery of men and women of the infamous underground, written on ten years of solid research, Under the Clock recounts in painful detail the monumental gangland war that raged for five bloody years,punctuated by poison,knives, and guns, between the Irish "White Hand" and the Italian "Black Hand.". Here is the true story of the resultant Mafia empire - including its emperor, Al Capone - which was ultimately penetrated by the you, dedicated, ambitious New York D.A. - Tom Dewey.
Under the Eye of the Clock
Oxygen-deprived for two hours at birth, Christopher Nolan lived to write, at age twenty-one, the autobiography of his childhood, told as the story of Joseph Meehan. He wrote the book, using a "unicorn stick" attached to his head, letter by painful letter. The result is astonishingly lyrical, filled with powerful description, touching moments of triumph and humiliation, and, above all, disarming wit. It is, in the words of London's Daily Express, "a book of sheer wonder".
Noon at Five O'Clock
This volume marks the recovery and first combined publication of the stories of Arthur Yap, one of Singapore's most accomplished and important writers. A hitherto neglected facet of Yap's opus, his eight short stories are deceptive in their simplicity, housing within their sparse prose a complex engagement with Singapore society from which he wrote. With his signature minimalistic style, Yap simultaneously perplexes readers with stories of seemingly plotless ambiguity, yet draws them in with familiar characters playing out situations that still resonate in twenty-first century Singapore today. Angus Whitehead's introduction highlights literary nuances in the stories and frames the stories within the wider backdrop of social change of Singapore at the time of Yap's writing. The meticulous critical apparatus make this book of interest to not only the general reader but also students of Singapore and Southeast Asian literature in English.