Twilight Vampires
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Twilight
When 17 year old Isabella Swan moves to Forks, Washington to live with her father she expects that her new life will be as dull as the town. But in spite of her awkward manner and low expectations, she finds that her new classmates are drawn to this pale, dark-haired new girl in town. But not, it seems, the Cullen family. These five adopted brothers and sisters obviously prefer their own company and will make no exception for Bella. Bella is convinced that Edward Cullen in particular hates her, but she feels a strange attraction to him, although his hostility makes her feel almost physically ill. He seems determined to push her away - until, that is, he saves her life from an out of control car. Bella will soon discover that there is a very good reason for Edward's coldness. He, and his family, are vampires - and he knows how dangerous it is for others to get too close.
Twilight and Philosophy
twilight and Philosophy What can vampires tell us about the meaning of life? Is Edward a romantic hero or a dangerous stalker? Is Bella a feminist? Is Stephenie Meyer? How does Stephenie Meyer’s Mormonism fit into the fantastical world of Twilight? Is Jacob “better” for Bella than Edward? The answers to these philosophical questions and more can be found inside Twilight and Philosophy: Vampires, Vegetarians, and the Pursuit of Immortality. With everything from Taoism to mind reading to the place of God in a world of vampires, this book offers some very tasty philosophy for both the living and the undead to sink their teeth into. Whether you’re on Team Edward or Team Jacob, whether you loved or hated Breaking Dawn, this book is for you! To learn more about the Blackwell Philosophy and Pop Culture series, visit www.andphilosophy.com
Seduced by Twilight
Stephenie Meyer's Twilight saga has maintained a tight grip on the contemporary cultural imagination. This timely and critical work examines how the Twilight series offers addictively appealing messages about love, romance, sex, beauty and body image, and how these charged themes interact with cultural issues regarding race, class, gender and sexuality. Through a careful analysis of the texts, the fandom and the current socio-historical climate, this work argues that the success of the Twilight series stems chiefly from Meyer's negotiation of cultural mores.