Triple Beam Dream Team
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Word Families (Book 3)
Author: Remedia Publications
language: en
Publisher: Remedia Publications
Release Date: 2021-12-30
Grade Level: 1-2 Designed so students can practice using common phonograms for easy recognition of sight words, this creatively illustrated book includes exercises for the following word families: ace, ade, ake, ame, ate, ave, ail, ain, eam , eat, ee, eed, eep, eet, ice, ide, ime, ine, ite, oat, oke, ore, ose. Each of the 45 unique activities in this book is designed to teach a different word family - from a balloon image puzzle designed to create eam family words to a color-the-kite exercise for releasing ite family words. An extensive word list containing all the phonograms taught in this book is included for use with extended learning. Consider using the words for a spelling list, sentence dictation, and "thought starters" for creative writing.
Block Legend Paper by the Ton Iv
This collection of songs that I bring to you the reader, is the first step in expressing my vision of life through the eyes of me the author. I’ve been working for many years coming up with inspiration and music to share with you the readers and the world, hoping to inspire and entertain. I express my way of life hoping to leave the reader with a greater understanding of what I see through my own eyes. I am extremely pleased with the results from these many years of hard work and dedication. I am truely honored and blessed to share with you my vision. Thank you Sincerely yours Kevin Green KG
Prophets of the Hood
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.