Trees As Symbol And Metaphor In The Middle Ages
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Trees as Symbol and Metaphor in the Middle Ages
WINNER: AFCEMS Prize 2024 Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning. Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world. The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.
The Tree of Life and Arboreal Aesthetics in Early Modern Literature
The Tree of Life and Arboreal Aesthetics in Early Modern Literature explores the vital motif of the tree of life and what it meant to early modern writers who drew from its long histories in biblical, classical and folkloric contexts, giving rise to a language of trees, an arboreal aesthetics. An ancient symbol of immortality, the tree of life was appropriated by Christian ideology and iconography to express ideas about Christ; however, the concept also migrated beyond religious doctrine. Ideas circulating around the tree of life enabled writers to imagine and articulate ideas of death and rebirth, loss and regeneration, the condition of the political state and personal states of the soul through arboreal metaphors and imagery. The motif could be used to sacralise landscapes, such as the garden, orchard or country estate, blurring the lines between contemporary green spaces and the spiritual and poetic imaginary. Located within the field of environmental humanities, and intersecting with ecocriticism and critical plant studies, this volume outlines a comprehensive history of the tree of life and offers interdisciplinary readings of focus texts by Shakespeare, George Herbert, Henry Vaughan, Aemilia Lanyer, Andrew Marvell and Ralph Austen. It includes consideration of related ideas and motifs, such as the tree of Jesse and the Green Man, illuminating the rich histories and meanings that emerge when an understanding of the tree of life and arboreal aesthetics are brought to the analysis of early modern literary texts and their representations of green spaces, both physical and metaphysical.
An African Tree of Life
Author: Thomas G. Christensen
language: en
Publisher: Wipf and Stock Publishers
Release Date: 2015-12-30
An African Tree of Life demonstrates how mission involves not only a "bringing-to" a people, but a "discovering-of" those deep symbols in human culture and God's creation that, in the light of the gospel, draw humanity to Christ. This book, in a scholarly yet intriguing way, explores the stories and rituals of the Gbaya people of the Cameroon and the Central African Republic. These deep symbols are typically centered not in the esoteric or exotic but in the familiar and everyday. Christensen focuses on the especial importance of the peace-bringing tree of life--the sore tree--central to the lives and worship of the Gbaya. "Gbaya Christians," says Christensen, "offer to North American Christians fresh and hope-filled images, rich metaphors, new and yet familiar to us." Thus, An African Tree of Life is an important book not only for theologians, missiologists, and Africanists but for all those concerned with issues of contextualization and seeking life-giving symbols in the quest to communicate the gospel message.