Traverse Stage
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Directing the Play
Numerous books have been written on the art of directing from the classical to contemporary times. Many of these works have concentrated on different facets of the discipline of directing such as the definition, history, and development of directing, as well as the qualities, functions, and types of directors. However, areas of directing that have not received much scholarly attention include works that serve as manuals for budding directors and studies that reflect the theory and practice of directing in Africa, especially from Nigerian theatre practitioners. While studies on directing, such as Wainstein’s 'Stage Directing: A Director’s Itinerary' (2012), Dean and Carra’s 'Fundamentals of Play Directing' (2009), and Johnson’s 'Visions Towards a Mission: The Art of Interpretative Directing' (2003), provide general insights on the art of directing plays, Emasealu’s 'The Theatre of Ola Rotimi: Production and Performance Dynamics' (2010) and Uwatt’s 'Playwriting and Directing in Nigeria: Interviews with Ola Rotimi' (2004), document the directorial practice of the Nigerian director, Ola Rotimi. Aside from documenting the directing techniques of key Western directors, this book’s advantage over existing works is that it documents the directorial styles of Ola Rotimi and other West African directors, as well as the directorial techniques of directors from South, North, and East Africa. It also traces the evolution of the theatre stage, examines the directorial implications of the arena, proscenium, thrust, traverse and African traditional theatre stage orientations, and engages the notions of blocking, movement, directorial concept and directorial approach. In particular, this book aspires to contribute to the discourse on play directing with perspectives from African theatre. It also fills gaps in previous studies by delving into the notions of theatre and directing, the director’s history, qualities, and tools. It examines types of directors, functions of the director, directing principles, and key Western and African theories of performance. It also evaluates the history of the theatre stage, the characteristics, benefits and drawbacks, and directorial implications of the arena stage, proscenium stage, thrust stage, traverse stage, African traditional theatre stage, the use of blocking, movement, and the meaning of directorial concept and directorial approach.
Adults
Author: Kieran Hurley
language: en
Publisher: Bloomsbury Publishing
Release Date: 2023-08-15
Everyone always grows up thinking it's the end of the world. The only difference with you lot is you think it makes you special. A black comedy that is by turns explosive and tender, Adults follows acclaimed playwright Kieran Hurley's TravFest19 smash-hit Mouthpiece. Amongst a raft of anonymous Airbnbs in Edinburgh, thirty-something Zara is running her own business and trying to make her way in the world. A new client has just arrived, but her colleague is running late. Tensions are high. Also, the business is a brothel, the client is her old teacher, and her colleague is having an existential panic attack about growing up. They're all convinced that they're the most hard done by, and that the mess of a world that's around them definitely isn't their fault. But maybe something has to break between them, before anything can really change. Adults is a raw, darkly funny play about alienation, loneliness, growing up, growing old - and the human need for connection, intimacy and acceptance to survive in a world that fails you. This edition was published to coincide with the world premiere at the Traverse Theatre during the Festival, in August 2023.
Solo Play Structures
Solo Play Structures explores the captivating world of single-actor plays, delving into how playwrights craft compelling narratives that resonate with audiences. It examines the unique power of solo performance, addressing how to sustain engagement with just one performer and achieve significant thematic depth. A key insight is that solo plays can reframe perceived limitations into creative opportunities, offering a framework for impactful dramatic works. The book investigates narrative construction, character development, and dramatic devices like monologue, offering practical guidelines and playwriting exercises. It also examines how solo plays commonly address themes such as identity and social justice, providing case studies of successful plays. By analyzing performance reviews and interviews, Solo Play Structures offers a comprehensive guide to creating engaging solo performances. This work progresses logically, starting with fundamental concepts and moving towards practical applications. It connects to fields like creative writing and psychology, enriching its argument by demonstrating the broad applicability of its principles. Aspiring playwrights, actors, and scholars will find valuable insights into crafting thought-provoking and impactful solo plays.