Travelling Man A Critical Guide

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Travelling Man: A Critical Guide

Drawing inspiration from the private detective and Western genres, as well as the cult 1960s series The Fugitive, Roger Marshall's mid-1980s drama Travelling Man was both critically acclaimed and commercially popular, drawing audiences of up to 13.2 million viewers. Ex-Drugs Squad detective and jailbird Alan Lomax is a fascinatingly flawed protagonist, but it is the setting of the canals and inland waterways of Britain which provide the unique charm of Travelling Man, offering the perfect backdrop for Lomax's nomadic quests. The canals also dictate the show's leisured pace. Avengers expert Rodney Marshall offers a critical guide to all thirteen episodes, exploring the scripts, direction, characterisation, acting and music. ""One thing about quiet waterways, you can hear footsteps.""
Avengerland: A Critical Guide

At the vanguard of a 1960s cultural revolution, The Avengers was both critically acclaimed and commercially popular. As Britain's imperial power crumbled away, the television series began to colonise the globe. Critic Rodney Marshall is the son of Avengers script writer Roger Marshall. He has written and/or edited nine books on the series. Avengerland: A Critical Guide brings the main chapters from these previous volumes under one cover. In addition to a number of general essays, the guide explores fifty of the filmed episodes in depth, analysing the show from monochrome film through 'Glorious Technicolor' to its reincarnation as The New Avengers. Avengerland is an indispensable guide for fans of this iconic show.
Man in a Suitcase: ITC-land Volume 1

Lew Grade's pioneering ITC company created a production line of quirky new drama series for British Independent Television in the 1960s, fulfilling a vision of providing entertaining, colour film series for a global market. In the first of a proposed series of critical guides, Avengers expert Rodney Marshall and television historian Matthew Lee explore ITC's Man in a Suitcase. Their book offers new, inventive readings of all thirty episodes. Man in a Suitcase is a product of its mid-1960s context, exploring themes such as Cold War espionage and Swinging Sixties playgirls, yet most of the stories also have a timeless feel to them: political corruption, blackmail, murder, missing persons or money, art theft. Despite the private detective/bounty hunter formula, there are welcome elements of playfulness, quirkiness, surrealism and a healthy abundance of social and political critique. Man in a Suitcase cannot be simplistically labelled as 'light entertainment' given the dark subject matter and its treatment.