Transvaal Episode

Transvaal Episode

The Muzzled Muse

A critical assessment of literature produced under censorship needs to take into account that the strategies of the censors are answered by strategies of the writers and the readers. To recognize self-censoring strategies in writing, it is necessary to know the specific restrictions of the censorship regime in question. In South Africa under apartheid all writers were confronted with the question of how to respond to the pressure of censorship. This confrontation took a different form however, depending on what group the writer belonged to and what language he/she used. By looking at white writers writing in Afrikaans and white and black writers writing in English, this book gives the impact of censorship on South African literature a comparative examination which it has not received before. The book considers works by J. M. Coetzee, Nadine Gordimer, Andre Brink, and others less known to readers outside South Africa like Karel Schoeman, Louis Kruger, Christopher Hope, Miriam Tlali and Mtutuzeli Matshoba. It treats the censorship laws of the apartheid regime as well as, in the final chapter, the new law of the Mandela government which shows some surprising similarities to its predecessor.

Spear

Spanning the years just before (and just after) Nelson Mandela’s 1962 arrest, this entirely fresh history of Umkhonto we Sizwe (MK), or Spear of the Nation, and its revolutionary milieu brings to life the period in which Mandela and his comrades fought South Africa’s apartheid regime not only with words and protests, but also with bombs and fire.