Tinggalkan Komentar Belum Ada Komentar Zapateos
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Only a Girl
In Only a Girl, three generations of Chinese women struggle for identity against a political backdrop of the World Depression, World War II, and the Indonesian Revolution. Nanna, the matriarch of the family, strives to preserve the familyas traditional Ch
Kita Tidak Baik-Baik Saja
Zahra masih selembut sutra sebelum mengetahui Papa cheating dengan guru matematika yang kemudian akan dia panggil Maung peliharaan Papa. Hingga suatu hari, Zahra mendengar sesuatu. Terkait kehamilan Bu Marsya, si guru matematika. “Jadi, Bu Marsya benar-benar hamil?” desis Zahra marah. “Kamu masih di sini?” Adiknya, Kak Anggi, terlihat sangat gugup. “Emang kenapa kalau saya masih di sini?” tantang Zahra. “Saya gak boleh tahu?” Bu Marsya mundur saat melihat Zahra mulai marah. Anak perempuan mana yang bisa tertawa gembira mendengar kehadiran calon adik dari rahim orang lain? Apa yang harus Zahra lakukan sekarang? Rasanya berat menerima kenyataan keluarganya hancur berantakan, tapi apakah Zahra salah jika bermimpi semua masih bisa diperbaiki? Sekalipun telah retak di berbagai sisi? Apakah sebagai anak, Zahra memiliki kemampuan untuk memaafkan dan merekatkan kembali pecahan beling itu? Batin Zahra terus bertanya, dan tak kunjung menemukan jawabannya.
Traditions Redirecting Contemporary Indonesian Cultural Productions
Author: Jan van der Putten
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2017-08-21
This volume is the result of a conference held in October 2015 in connection with the Frankfurt Book Fair discussing developments that are considered important in contemporary Indonesian cultural productions. The first part of the book reflects on the traumatic experiences of the Indonesian nation caused by a failed coup on October 1, 1965. In more general theoretical terms, this topic connects to the field of memory studies, which, in recent decades, has made an academic comeback. The focus of the chapters in this section is how certain, often distressing, events are represented in narratives in a variety of media that are periodically renewed, changed, rehearsed, repeated, and performed, in order to become or stay part of the collective memory of a certain group of people. The second part of the book explores how forces of globalisation have impacted upon the local and, linguistically surprisingly, rather homogeneous cultural productions of Indonesia. The main strands of inquiry in this second section are topics of global trends in religion, responses to urban development, the impact of popular literary developments, and how traditions are revisited in order to come to terms with international cultural developments.