Three Plays Of The Absurd
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Three Plays of the Absurd
In this collection of plays, Walter Wykes creates a series of modern myths, tapping into something in the strata of the subconscious, through ritualism and rich, poetic language. The worlds he creates are brand new and hilarious, yet each contains an ancient horror we all know and cannot escape and have never been able to hang one definitive word on. The Profession follows the experiences of a naive young man exposed to the inner workings of a secret society of assassins. In Fading Joy a young woman finds herself caught up in the intoxicating world of a smooth-talking salesman. When he flees to escape a mysterious group known only as The Tall Men, she finds it impossible to go back to her old way of life. Finally, The Father Clock tells the apocalyptic tale of two actors and a stage manager abandoned by their aging director. As the auditorium begins to fill and the lights dim, they desperately attempt to pull the show together even as a strange illness drifts through the theatre.
Three Plays - Absurd Person Singular, Absent Friends, Bedroom Farce
'What is remarkable about Alan Ayckbourn's comedy is that it contrives to be simultaneously hilarious and harrowing. Literally, it is agonisingly funny' Daily Telegraph In Three Plays Ayckbourn's perfectly pitched dialogue slices into the soul of suburbia. The settings are simple - a kitchen, a bedroom, a party - but the relationships between the husbands and wives are more complicated. Fraught relationships are exposed with humour, bathos and a sharp understanding of human nature.
The Theatre of the Absurd
In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and paid scant attention to psychological realism, while highlighting their characters’ inability to understand one another. In 1961, Martin Esslin gave a name to the phenomenon in his groundbreaking study of these playwrights who dramatized the absurdity at the core of the human condition. Over four decades after its initial publication, Esslin’s landmark book has lost none of its freshness. The questions these dramatists raise about the struggle for meaning in a purposeless world are still as incisive and necessary today as they were when Beckett’s tramps first waited beneath a dying tree on a lonely country road for a mysterious benefactor who would never show. Authoritative, engaging, and eminently readable, The Theatre of the Absurd is nothing short of a classic: vital reading for anyone with an interest in the theatre.